Copywriting for Brands

Below are examples of my work as a brand copywriter for small businesses across the country. More samples available upon request.

Bike’s Burgers & Ice Cream:

Business Description for Facebook:

Here in Bonner Springs, we know a little something about being on the go. That’s why meals are easy at Bike’s Burgers. Just walk up to the counter, place your order, and take a seat. We’ll handle the rest -- no tip necessary. Late to a PTA meeting or taking the kids to soccer practice? Cruise through our drive-thru. We’ll never keep you waiting, but you might find yourself caught up talking to our family-run team longer than you meant to. When you finally bite into that hand-breaded tenderloin sandwich, you might even forget about your plans. But don’t worry: Whether you’re rushing out the door or you decide to put the rest of the day on hold for a Belfonte ice cream cone, you’ll never wear out your welcome!

Short Description for Instagram and Twitter:

Lunch just got easier, Bonner Springs! We’re serving up all-American favorites with a side of convenience and your choice of Belfonte ice cream.

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Facetime Beauty Lounge:

Business Description for Facebook:

When you step inside Facetime Beauty Lounge, you’re stepping into a restorative St. Petersburg oasis. We greet you by name, offer you a drink (detox water, seasonal tea, or your choice of champagne and wine), and take you straight back into the lounge. There’s no such thing as a double-booked appointment around here. Music and the sound of trickling water combine to transport your mind and body to beauty paradise, where we’ll pamper your skin with a hydrojelly facial or dermaplanning treatment. If you need your brows whipped into shape or want a new pair of fluttery lashes, we’re your team. Everything we do is for you, from our elegant glass cups to the essential oils we diffuse throughout the lounge. By the time you leave, you’ll wish you could buy our signature scent. Don’t worry: We’re working on it! 

Short Description for Instagram and Twitter:

We’re bringing a restorative, luxurious beauty lounge experience to St. Petersburg’s hardworking men and women. Step inside and drink up relaxation!

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Love Birds Bridal Boutique:

Business Description for Facebook:

Love Birds Bridal Boutique got its start in 2004 as a simple stationery shop, but we’ve grown into a full-service, one-stop bridal shop in the past 16 years. We’ve got all you need to plan your special day, from gorgeous, one-of-a-kind gowns to the perfect stamps and envelopes for your invitations, all delivered with our boutique-style service. Your wedding day is the most important day of your life, and we take that seriously: We only work with one bride at a time so you get the attention you deserve. You’ll try on your gown in our bridal loft and then come downstairs to get into the nitty-gritty details, all while our seamstress works on alterations. To brides in Hattiesburg and across Mississippi, we have everything you need to say, “I do!”

Short Description for Instagram and Twitter:

Since 2004, we’ve been Hattieburg’s one-stop bridal shop, offering all you need: from dresses to stationary and everything in between. 

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My Tiger Lily Boutique:

Business Description for Facebook:

Confidence is our favorite one-size-fits-all outfit! Stocked with everything a modern woman needs to look and feel her best, My Tiger Lily aims to update your wardrobe for both everyday and intimate moments. The right dress is a woman’s secret weapon, and we’ve got a style for every occasion: going to church, conquering a meeting at work, or going on the perfect first date, just to name a few. When you’re ready to rock the skin you were born in, our selection of lingerie -- in every style from playful to provocative -- will amplify what you love most about yourself and help you see your curves in a new light. They say you should flaunt it if you’ve got it, and we know you’ve always got it!

Short Description for Instagram and Twitter:

We want you to feel confident no matter what you’re wearing -- or not. From everyday staples to special-occasion pieces, you’ll love your new look!

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Pinky G’s Pizzeria:

Business Description for Facebook:

Good people. Great drinks. Amazing pizza. That’s what you’re in for when you step through the doors at Pinky G’s Pizzeria. We started in 2011, and we’ve been crafting unique specialty pies ever since. Specializing in New York-style pies and slices, we hand-toss everything on the menu, including our most popular: the Abe Froman. With our affordable prices and high-quality ingredients, we’re Jackson Hole’s resident pizza experts. We’ve been featured on Food Network’s Diners, Drive-Ins and Dives twice, but we treat every customer like they’re Guy Fierri -- minus the cameras. No matter what you’re in the mood for, from pizza to wings and everything in between, Pinky G’s is the place for you!

Short Description for Instagram and Twitter:

Jackson Hole’s pizza experts. Serving up hand-tossed pizza in our close-knit, funky atmosphere since 2011. 

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The Tipsy Trout:

Business Description for Facebook:

Here in Basalt, we’re all about “-ing” verbs. Running, hiking, fishing, camping -- you know the drill. Here at The Tipsy Trout, we’re adding one more to the list: eating. Specifically, we’re all about eating unique, made-from-scratch dishes with local roots, like our Colorado beef. We age it for 28 days until it’ll satisfy any foodie’s cravings! When you try our Rocky Mountain trout and honey-smoked trout dip, you’ll see why we just can’t get enough. From vegetarian and gluten-free options to sinfully delicious entrees and desserts, you'll find whatever you’re looking for through our doors. And if you want to share the magic with everyone you know, just ask about our space for private events and parties. We can’t wait to share our slice of historic old-town Basalt with you!

Short Description for Instagram and Twitter:

Swing by after fishing along the Fryingpan or when you’re craving  creative cuisine. Either way, you’re always in for a treat at The Tipsy Trout!

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The Vineyard at Hillyland:

Business Description for Facebook:

Like any good story, ours starts with cows. Hillyland began as a Connecticut dairy farm. It was a labor of love -- hard work that was rewarded by getting to live off  the land. On a trip to New York, we uncovered our passion for wine, so we made the transition into a winery in 2017. Since then, we’ve been infusing our handcrafted wines with the love and respect we hold for agriculture. Each of our signature wines is named after a dairy farm of old, and we’re always happy to pour a glass alongside a history lesson. We promise you’ll never forget your tasting at Hillyland, but if you ever need a refresher, we have space for lively parties and elegant weddings. No matter how many times you come back to visit, we’ll always be thrilled to catch up!

Short Description for Instagram and Twitter:

Converted from an active dairy farm, we’re crafting homemade wine and experiences you’ll never forget -- all paired with a generous dose of history.

How to Write a Self-Insert That Nobody Can Call You Out On

Originally posted on Scribbler.com.

Here’s the thing: About 80% of the female characters that I write wind up being self-inserts to some degree. For anyone unfamiliar with the term, a self-insert character is typically defined as the fictional version of yourself that lives out your dreams and fantasies in a novel, short story, or most commonly, fanfiction. While the literary community might frown upon or call them unoriginal, I have reason to believe they should be encouraged. After all, what’s the golden rule of writing? Write what you know! What could you possibly know better than yourself?

However, writing a believable self-insert takes more care than you think. Simply put, there are parts of yourself that you should hold onto and parts that you should sacrifice to the writing gods for luck. The less of yourself in a self-insert, the better. I’d wager to say that the perfect ratio of your own qualities to qualities sprung from your mind is roughly 1:5. For every detail you take from your own life, make up at least five to avoid overdoing it.

That’s right. If you make any character 20% self-insert or less, you’ll get away with it, and your character will be all the more authentic. But what should you be doing to pull this off?

1. Redefine what a self-insert character is.

Can you get away with plopping yourself smack-dab in the middle of Harry Potter and calling it a day? No. While there’s nothing wrong with daydreaming about winters in Hogsmeade and who you’d take to the Yule Ball, you’re going to need more tact than that. Self-insert characters overrun the world of fanfiction, but that’s not what I’m proposing. The new-and-improved self-insert needs to be an original character taking a shortcut through your idiosyncrasies on the way to being a complete three-dimensional person. There are many details that make up a good character, and I’m suggesting that you can, and should, steal some from your own life.

2. Ditch your name.

This is the bare minimum. Even if your character doesn’t resemble you in any way, or even if your character spells it differently, you’re screwed. For me, that means Kaitlin, Caitlyn, and other variations are completely off limits. I wouldn’t even go for Kate.

3. Ignore how you look.

This comes with a very important caveat that I’ll get to shortly . For the most part, your self-insert shouldn’t look like you. Your appearance is a dead giveaway second only to your name, so take creative liberties whenever possible. This is an opportunity to experiment with styles you’re not brave enough to try in real life. Want a pixie cut? Write one. Too chicken to get that tattoo? Maybe your self-insert isn’t. My one hard-and-fast exception is for my curly-headed guys, gals, and pals. Don’t you dare ditch your curls! Don’t you know there are fictional characters everywhere who’d kill for your hair?

4. Focus on mannerisms.

For me, the subtleties of the human condition are hard to conjure into writing. I’m talking scratching, fidgeting, blinking, and all the rest of those action verbs you do without thinking. Some of them are downright gross — who wants to admit to biting their nails or chewing with their mouth open? However, in the wonderful world of fiction, these intricacies flesh a character out. Why google “Ways People Fidget” when you can steal from your own life? As a writer, your search history is already strange enough. Save yourself another rabbit hole and embrace those idle motions. If you crack your knuckles, twist your hair around your fingers, or hum to yourself while you do the dishes, let your self-insert do the same.

5. Put yourself into hypothetical situations.

I’ve written about being a writer before, and I’ve received  question after question asking if I was actually writing about myself. I wasn’t, but you try to convince your writing workshop otherwise on critique day. To avoid this and make your work feel original, even if your heroine does share your coffee order and your hair, put your self-insert in a completely new situation. Because we write what we know, your reactions and thought process will stay the same, but the events you’re reacting to won’t. The further removed from your reality that your story is, the safer your self-insert will be. Fantasy, historical fiction, or thrillers are marvelous hiding places, assuming you aren’t already an elf, dead, or a murderer.

The bottom line is that you should focus on singular characteristics of yourself instead of transporting your whole likeness to another world. Because it’s a pain to come up with completely original favorites, pet peeves, and fun facts every time you pick up the pen, relying on—or even reveling in—a modified self-insert is nothing to be ashamed of. Shout from the rooftops that you’re writing one! Let’s take control of our writing and remove the stigma surrounding the dreaded self-insert.

Heart of Treason

words: 4,215

A glass of scotch sits on the desk in front of the window. There must have been ice in it at some point; a ring of condensation turns the dull wood a vibrant espresso. Light from the street below filters in through the sheer outer layer of hotel curtains, turning the otherwise unremarkable room into a cleaner, quieter discotheque. Felicity stands opposite the full length mirror hung over the bathroom door, black pencil pressed precariously to her waterline. 

“I will not stab myself in the eye,” she says, darkening the pale space between her lashes. “I have more coordination than that.”

A swift pound to the door breaks her focus. 

“Dammit,” she groans, head dropped in defeat. “The door’s open.”

Sebastian enters the room like he always does: half an hour early, looking like he just woke up like that. For all Felicity knows, he woke up twenty minutes ago, put on his tux, combed his hair, and walked two doors down the hall. It’s completely unfair that he still looks like the cover of GQ. “You ready?” he asks, clearly forgetting everything he learned about women from all his sisters back in Maine. 

“You know I’m not,” Felicity answers, hunting through the makeup scattered atop the bathroom counter for a cotton round. She finds one, then swipes it under her left eye to fix the mess Sebastian caused. “Look at me. I’m barely dressed.”

“You could go out like that.”

“My dress isn’t zipped, idiot.”

He takes a step back, cocks his head. “I thought that was just the fashion.”

Felicity snorts. “Yeah, I want to go to the White House with my Spanx showing.”

“What’re Spanx?”

“God,” she starts, reaching behind herself to grab the dress’ zipper, “remind me to tell your sisters you asked that.” It slips from her fingers, somehow working itself further down her back instead of up. The stress of perfecting hair and makeup has turned her hands uselessly sweaty. She makes a frustrated noise in the back of her throat. 

If there’s one thing a modern woman—a CIA agent, at that—should be able to do, it’s zip up her own dress. 

“Here, let me,” Sebastian says, stepping behind her and pulling the zipper to where it ends, just below her shoulder blades. 

“I could have gotten that myself.” She moves away from him, decidedly not lingering on the warmth of his hands against her back. 

He laughs. “Since we have somewhere to be, I made an executive decision.”

They still have a solid twenty minutes before the car is scheduled to pick them up, but Felicity doesn’t mention it. Instead, she focuses on getting ready. Physically and mentally. 

This night has been more than ten years in the making. All Felicity’s wanted since she was fifteen is to meet John Hutton. Since she learned who killed her father, this meeting has always been at the forefront of her mind. Tonight is more than a celebratory ball for excellence in law enforcement; it’s reconnaissance. More than that, it’s a chance for closure.

Sebastian doesn’t know. 

Their boss doesn’t know. 

The only other soul on the planet who knows is Felicity’s mother, but she’s not here tonight. Eloise Scanlan is safely ensconced in the Boston brownstone they’d moved to immediately following her father’s death in Ireland. 

Felicity thinks of Oisin Scanlan as she slips into her heels and rounds up the only things that will fit in her tiny purse—two lipsticks (one the blood red painted across her mouth, the other a listening device) and a powder compact. She remembers watching him help her mother get ready for an evening out: how he’d zip her dress and help her into her coat. They’d be out until midnight while Felicity would listen at her bedroom window for them to return. 

One night, Eloise came home alone. 

“You’re not going to drink this?” Sebastian asks, tugging her back to the present. He points to the glass of scotch. Oisin’s favorite drink. 

“No,” Felicity answers. “I don’t know why I poured it.”

He downs it in one gulp, wiping his hand across his mouth afterwards. Charming, as always. “Are you ready yet?” Sebastian asks, pulling the inner layer of curtains closed. The room goes dull, now illuminated only by the fluorescent bathroom light and lamp on the nightstand. Felicity feels pulled from a dream—the weight of tonight crashes down around her. Her limbs are heavier than they were before. 

She flips the bathroom light off. “I’m ready.” 

“Okay,” Sebastian starts. “One thing—it’s cold out.” He grabs her coat, slung on the back of the desk chair. “Here,” he says, helping her into it. “Now you’re good to go.”

He extends his arm like he’s done every time they’ve gone to a fancy soirée. They usually play a couple, though the lines between fiction and reality have been blurrier in recent months. Tonight, Felicity’s performing, but Sebastian shouldn’t be; for all intents and purposes, he’s off the clock. He leads her downstairs to the car like he’s her escort at a debutante ball, like he wishes he could be. 

No, Felicity thinks, not now. She’s got a running list of at least five things she should be giving her attention to instead of this—them, whatever they are. 

“I can’t believe we’re going to the actual White House,” Sebastian says as they pass the National Mall. “You excited?”

Felicity nods. “Of course I am.”

“I’m gonna need you to kick it up a notch. You know, match me squeal for squeal when we meet the president.” He pauses, waiting for her to laugh. Or at least smile. “Full disclosure,” he continues, “my inner government nerd is already out in full force.”

“Your government nerd has never been inner,” Felicity says, thinking back to when they first met: Sebastian, with his Political Science degree and dreams of making a difference in the world, and her with her International Relations degree and a hidden vendetta. Tonight’s as big for him as it is for her, just for different reasons. If she were any other person, they’d wine and dine and accept job praise with no problem. Hell, they might even take an eraser to those relationship lines once and for all. 

But she isn’t any other person and tonight isn’t a night she can let her guard down.

Streetlights illuminate the inside of the car, turning the dark interior into a reflection of the night sky. Sebastian’s white collar glows a dangerous red in the sea of brake lights ahead of them.

She turns the air conditioning up. 

“Hot?” 

“Huh?” Felicity answers, turning her head too fast. “Oh. A little.” She pauses, drumming her—for once—manicured nails on her thigh. “Tight dress. Tighter Spanx. Recipe for disaster, really.”

Sebastian hums in uninformed agreement. He turns his own vent her way, nudging her with his shoulder in the process. “Here. You need it more than I do.”

She opens her mouth to say something, but only manages to breathe a little harder. He looks too good, in every sense of the word: His dark hair, normally a mess of curls he affectionately calls professional bedhead, is tamed into the kind of style any girl would deem appropriate for a date night. He’s the picture-perfect spy, elegance and secrecy sewn into the velvet of his suit. I should have had that scotch back at the hotel, Felicity thinks, watching Sebastian watch her with narrowed eyes and a furrowed brow. “Thanks,” she says, finally. 

“No problem,” he replies easily. His command of the English language is still intact, at least.

For a few minutes, they sit silently. The car turns, escaping rush-hour traffic—Felicity focuses on the blur of shops and hotels out her window. Glass storefronts turn to water, refracting the image of their car speeding down the road, making it look more like a cartoon than real life. But it is real life. She is Felicity Scanlan and she is about to—  

Now the car’s too cold. Goosebumps punctuate the pale skin of her arms, turning them to braille she hopes Sebastian can’t read. 

When Felicity tries to close one of the vents blowing freezing air on her, Sebastian stops her. His hand circles her wrist, loose enough for her to break away if she wanted. She looks up at him through her eyelashes, heart pounding so hard she’s afraid he can see it through the low cut of her dress. 

“What’s up, Scanlan?” Sebastian asks, concern etched across his face. 

“What do you mean?”

“Since we got in the car, you’ve been all…weird. Normally you’d be talking my damn ear off.  You feel sick or something?”

“No!” Felicity fires back, too eager. “I mean, I’m not sick. I’m just…nervous.”

Sebastian squeezes her wrist just hard enough to anchor her back in the moment. She’s here, in a car, on her way to the White House. Everything is fine. Everything is normal. “Felicity Scanlan gets nervous?” he starts, cutting off her mental mantra. “Well, color me surprised.”

She wants to laugh, wants to jab him in the ribs and tell him to shove it, but she doesn’t have the resolve. 

“Yeah, yeah,” Felicity musters, tugging her wrist out of his grip. She’s even colder now. 

“Don’t worry,” Sebastian says. “The president’s going to have nothing but praise for you. He’s seen our work. Yours especially. He knows what you’ve been up to.”

The air in the car thins, leaving Felicity cursing whoever decided to make evening gowns so ill-equipped for the act of breathing. Without warning, the car jolts to a stop and, before she can so much as cough, the driver is opening her door. 

“Come on, partner!” Sebastian jokes, undoing her seatbelt. “Let’s go fulfill some childhood dreams, shall we?”

“Okay,” she says, stepping out of the car and wobbling in her heels. “Let’s go.”

The inside of the White House is less grandiose than Felicity’d thought as a child;  the armchairs and paintings are nothing like the red velvet ropes and glass cases she’d always imagined. Sconces line the ballroom walls, casting an orange glow over everything that makes the November night outside seem even colder. They enter through an archway between two swirling topiaries, the swell of Beethoven’s “Für Elise” drawing them further inside. 

“Sounds like the shit you always listen to before we debrief,” Sebastian says, just quiet enough so she can hear. 

“Beethoven is not shit,” Felicity says, automatically. “Do you see McLane anywhere?”

He finally drops her arm and shoves his hands in his pockets. She knows what he’s doing—trying to appear nonchalant while simultaneously taking in their entire surroundings. It’s a hard habit to kick when they’re off duty. “I think,” Sebastian starts, voice level, “he’s standing next to President Hutton.” 

Her eyes land on McLane, across an ocean of people. Diplomats, correspondents, and all manner of politicians litter the space between her and her boss, a minefield of polite nods and excuses. Standing next to him, towering over the servers passing around hors d’oeuvres and champagne flutes, is John Hutton. He looks presidential, naturally, commanding an enormous presence in the room, a continuous stream of people stopping to shake his hand. The smile she sees from across the room is sickly—mouth spread too wide, teeth too perfect. 

A chorus of giggles rings through the ballroom, tearing Felicity’s attention from the president. One of the many Secret Service agents lining the walls speaks low into his comm—she lip reads sparrow and fairy. Two red heads appear at Hutton’s side, small hands pulling at his suit and hiding behind his legs. On their heels comes a short, round woman. Felicity recognizes Annabelle Hutton from campaign ads. She leans up—still a solid foot shorter than him in her heels—to press a kiss to President Hutton’s cheek, then grabs their children by the hands and leads them to sneak a better look at the orchestra. Hutton watches them the whole time, only focusing back on McLane when Annabelle nods ever so slightly in his direction.

It’s clearly a well-worn convention between them; the ease with which Hutton slips from family man to most powerful man in the free world is the same ease with which Felicity slips undercover. They’re the epitome of the family she never got to have.

The family Hutton took from her. 

“Should we…?” Felicity trails, heartbeat thundering in her wrists. 

“Yeah. Let’s roll, Scanlan.”

He offers his arm to her and she rests her hand in in the crook of his elbow. They wind up across the room, though Felicity can’t recall the exact steps they took. All she knows is she’s three feet away from the monster in her nightmares.

Except he’s not a monster at all. He’s a fucking family man. 

Her mind goes blank. 

“Rao, Scanlan, nice to see you tonight,” McLane says. “President Hutton, I’d like to introduce you to my top field agents. The ones responsible for our big sex-trafficking bust this past fall. Sebastian Rao and Felicity Scanlan.”

“It’s an honor to have such dedicated and accomplished agents with us tonight,” the president comments, nodding at each of them. His eye catches Felicity’s; she forces a smile.

“It’s a pleasure to be here,” Sebastian says, shaking the president’s hand. His dark eyes shine bright with awe, an eager smile working its way across his face. Something sharp twists in Felicity’s abdomen, though she knows Sebastian has no reason to be suspicious of Hutton. To her partner, John Hutton is just the upstart diplomat-turned-senator from New York. The youngest Commander in Chief since Kennedy; the Democratic solution to all of the nation’s problems. 

The president shifts his attention to Felicity. “Scanlan?” he asks. “You wouldn’t happen to be related to Oisin Scanlan, would you?”

“My father,” she answers, wishing desperately for a drink. 

The president blinks a few times in succession. “You don’t say. What’s he up to these days?”

You know, Felicity wants to say. You know damn well. Just as the anger mounts to a heady point, sparrow and fairy flit across the ballroom, mother following at that close, protective range that crosses all societal boundaries. The president turns away from their group for a moment, smiling like any father should. With another nod at Annabelle, he turns back to Felicity.  “He died,” is all she can manage. 

“I’m sorry,” President Hutton says. “He was a good man, your father.”

“He was,” Felicity agrees, weaker than her voice has ever been. Beside her, Sebastian nods. 

The four of them stand in restless silence for a few seconds. Sebastian coughs. McLane calls a server over to get a drink. The president looks intently at his watch. 

Finally, Sebastian speaks. “So, Mr. President, what are your long-term goals for combating sex-trafficking here and abroad?” In any other situation, Felicity might laugh. She knows he wrote that question down a week ago, three hours after they’d received their invitation for tonight. Still, Hutton distracts from Sebastian’s antics. 

This wasn’t the plan.

She should be smooth-talking the president. She should be gathering all the information she possibly can. She should be doing something. 

Instead, Felicity watches as Sebastian and President Hutton exchange meaningless policy talk. All of their words run together in her ears—a thousand stump speeches and stock phrases melting into one fading opportunity. Doubt and disappointment swim through the air; she breathes them in and they nest in her gut and behind her eyes. 

As President Hutton shifts focus from Sebastian to McLane, discussing projections and new security recommendations, a four foot ball of energy slams into Felicity’s side. She nearly crashes into Sebastian with the force of the impact, her heels teetering dangerously. 

“James!” Hutton calls, the first time he’s raised his voice all night. The low, forceful timbre shakes Felicity’s bones, rattling her heart in her ribcage. “Apologize to our guest, please.”

James—or sparrow—murmurs a quick sorry, then stands very still, waiting. His dimpled chin, a miniature version of the president’s, tilts downward like a puppy being scolded. “It was an accident, Dad,” he says, voice quivering. “Lily and I were just playing and I wasn’t watching—!”

“It’s okay, son.” Hutton cuts him off, face softening from stern to sympathetic. “You need to be more careful.”

James nods, head bobbing up and down like a child’s toy. Felicity notices his pout recedes, but his eyes still look like saucers waiting to be shattered. 

“Goodnight, James,” Hutton says, jerking his chin to the left, towards a door manned by another agent. 

A sickening chill races up Felicity’s spine. Her father’s voice, saying goodnight to her the last time before he died, fills her ears. She sees it all through her four year old eyes, one memory she can’t seem to forget: A casket, again, being lowered. Eloise sobbing against her own mother’s frame. Shovels breaking into the hard soil with a sickening crunch, time after time. 

The flight to Boston, just her mother beside her.

High school graduation, with an empty seat where her father should be.

Twenty-one Father’s Days without one. 

But then, those two children, laughing and playing around the ballroom. Annabelle Hutton kissing her husband. The way the president always seemed to be looking for the three of them, no matter his conversational partners.

Just as a wave of nausea threatens to engulf her, Sebastian bumps her with his shoulder. “Did you have questions for President Hutton?” he asks, bringing the room back to life. 

Yes. Why did you kill my father, you sonofabitch?

No. Your family is lovely, sir.

“I’m sorry, I have to go.” Felicity turns away, not able to look back, and walks as fast as her heels permit to the bathroom.

In the mirror, Felicity stares at her paler-than-usual reflection. Her hands shake reaching for the faucet; she draws them back, remembering the makeup all over her face. A splash of water is appealing, but the inevitable streaks of mascara and eyeliner down her face would be a dead giveaway that something’s up. 

She settles for deep breathing. 

In.

Out.

In.

Out.

In—

The door flies open, striking the marble wall with a force that thunders through the small bathroom. Felicity falls into a practiced pose: knees bent, fists clenched, and feet shoulder-width apart. 

“Easy! It’s just me,” Sebastian says, crossing the threshold easily. 

Her mouth falls open. “This…you know this is the ladies’ room, right?”

“Is it?” Sebastian turns around a few times, tapping his chin. A grin flashes across his face. “Huh, nice.”

“What are you doing in here?” 

“Checking on you,” he answers, without missing a beat. “You disappeared on me, Scanlan. I thought we decided a while ago that we wouldn’t abandon each other.”

“Sure,” Felicity starts, manufacturing a breeziness she hasn’t felt since before getting in the car, “but we’re not in the field.”

Sebastian takes a few steps closer to her, eyes full of concern. “Felicity. You’re not yourself tonight.”

“I’m not?” she asks, barely keeping her voice from shaking. 

“No, you’re not. I don’t know why, but I do know you.” He grabs her hand, giving a reassuring squeeze. “I hope you know you can tell me anything.”

Anything. If she told him about Hutton and her father, why she really joined the CIA— 

An image of Sebastian staring at her from across a table, disgust and betrayal in his eyes, rips its way through Felicity’s brain, tearing like a bullet into her spine and landing under her lungs. She sees him walking away. Worse, she sees him aim his pistol between her eyes. 

“I know.”

“Good. By the way,” Sebastian adds, bowing to press a quick kiss to her knuckles, charming in a way she really can’t deal with tonight. “If I didn’t mention it earlier, you look great tonight.” 

In any other situation, she’d shoot something back about him looking like James Bond. She’d toss her hair or wink or spend a minute luxuriating in the compliment. She's too dizzy with the thoughts and images racing in her head to let herself slip into that mode. “You should go,” Felicity says instead, pulling her hand back. “Before someone walks in here and calls the Secret Service.” 

Sebastian nods. “Sure thing, partner. Hope I see you back out there.” He flashes her a thumbs up, then spins on his heels and exits back into the ballroom. The door swings shut slowly, trapping the muffled sound of Vivaldi’s “Stabat Mater” between the stalls and sink. It rings through her ears like a plea. 

Felicity stares at her reflection again: there’s a flush to her skin, no quiver in her bottom lip. Even her eyes shine brighter. Sebastian could turn on her. Or he could help her. He’s fiercely loyal to the president, but he’s still her closest confidant. The person she trusts most in the whole world. Her partner.

Her best friend. 

He could help her reconcile everything running through her mind: Hutton, his kids, her father. Together, they could get to the bottom of this.

The light in her eyes catches fire. 

Felicity stands, feet shoulder-width apart and hands on her hips. A power pose, it’s the one thing she always does before slipping into an act. It’s time to turn it on, to flip the switch. It’s time to do what she came here to do, audience be damned. 

Smoothing her hair and strengthening her resolve, Felicity walks back into the ballroom. The orchestra sits silent, packing their instruments and music away. Maybe she was gone longer than she thought. Still, she spots Sebastian and McLane around a cocktail table, drinks in hand. McLane waves her over. 

“Where’d you run off to, Scanlan?”

Sebastian says, before she can, “Powdering her nose, like ladies do.”

“Oh, of course,” McLane says. “Well, nice to see you again.”

“Yes, sir,” Felicity says. She steals a glance at Sebastian—a silent thanks. “So. Where’s President Hutton? I finally remembered that question I wanted to ask him.”

“Oh,” McLane starts, “he went back to the residence right after you left. Said he had some work to get done.”

“Give her the thing,” Sebastian adds, then takes a sip of his drink. 

Felicity’s heart drops. She wasted her opportunity hiding like a child. “The thing?” she asks, mind racing to salvage the evening.

McLane reaches into his jacket pocket and pulls out an envelope. “Hutton’s secretary handed this to me. Said to give it to you once you reappeared.” 

She takes it from him and inspects her name on the cream stationery. Felicity J Scanlan. Her middle initial—a specific detail she suspects Hutton’s secretary didn’t add. He wrote and addressed this himself. Felicity pulls the envelope open, fingers clumsy with apprehension. What could he possibly have to say to her?

Five words etched into crisp white paper in the precise penmanship of a leader. And a liar. 

Stop while you still can.

“What’s it say?” Sebastian asks. 

“Oh,” Felicity starts, barely containing her rage. McLane doesn’t need to know just yet. Testing the waters with Sebastian is risk enough. “Just a note about my father.”

“That’s nice of him,” McLane says. “A real class act.”

A waitress walks by them and Felicity grabs her by the elbow. “Sorry, I’d just like—Scotch on the rocks, please.” The waitress nods, then heads towards the bar. “Yeah. A real class act.”

Once they’re situated in a car leading back to the hotel, Felicity turns to Sebastian. A nervous energy bookends the night. Were she not about to potentially ruin everything she’s ever worked for, Felicity might appreciate the parallel. God, what if it’s a mistake? What if she’s severely misjudged the depth of Sebastian’s loyalty to her over the president? 

At least she knows he doesn’t have a gun on him. 

It’s now or never, Felicity thinks, pushing her doubts and insecurities to the side. She has to believe Sebastian won’t turn on her—after all, he’s been looking for a reason why she’s been acting strange all night.  “Can he hear us?” she asks, nodding towards the driver behind a closed sliding panel. 

“I don’t think so. Why?” 

The driver works for the White House, so, to cover her bases, Felicity leans over, almost like she’s going to kiss him, and whispers, “President Hutton killed my father. I want you to help me take him down without necessarily taking him out. If you’re in, kiss me. If you think I’m batshit, tell me I’m drunk and we can’t do this right now.”

She feels his whole body tense. It’s a lot to take in, she knows, so she tries not to assume the worst. When he hasn’t moved after ten seconds, her palms go clammy and her stomach turns over. Goddammit, this was a— 

Sebastian’s hand, warm and only a little less shaky than her own, lands just under her chin and pulls her mouth to his. He kisses her slowly, deliberately, in a way that almost makes her forget the occasion. When he pulls away, breathing heavier than before, he nods. 

Game on, Mr. President, Felicity thinks. Game on. 

Valentine's Day

This is what doesn’t happen.

You don’t drive to my apartment and surprise me after work like you did 28 days ago. You don’t pull the box of macarons you ordered for me out of your passenger seat when I pull into my space. My mouth doesn’t hang open as you walk toward me with earnest eyes and a downturned mouth, like it’s not safe to smile yet. And I definitely don’t ask:

“What the fuck are you doing here?”

You definitely don’t answer with: “I’m so sorry.”

“What are you doing here?”

“I said I’m sorry.”

“I heard that, but what the fuck are you doing here?”

You don’t sigh, dropping your arms to your sides in anticipated defeat. The macarons don’t bounce in their box against your thigh. “So I shouldn’t have come.”

“I didn’t say that.”

Your eyes don’t light up for a fraction of a second. Brown and gold in the setting South Austin sun, they’re not the prettiest thing I’ve seen in a month. Your face doesn’t look like coming home. I don’t add, “Why’d you come?”

“Because I realized I made that mistake you were talking about.”

“And your parents?” I don’t press. 

“They were wrong,” you don’t agree.

And I don’t get mad. I don’t take three steps back from you and feel every ounce of rage that’s been bubbling up underneath my skin since you showed up unannounced and broke my heart into pieces small enough I couldn’t glue back together. My eyes don’t get hot and heavy with the tears I didn’t want to cry in front of you, and those tears do not, under any circumstances, cling to my lashes before dripping and curving under my chin. “How dare you,” I don’t say, voice and hands and lungs shaking. “How dare you come here and ask me to take you back. I know you haven’t asked anything yet, but I’m assuming that’s where this is going, and I just have to say: How fucking dare you?”

You don’t nod twice and start to turn around. 

“Wait.”

“Wait?” you don’t ask, pausing with your shoulders canted. 

“You put me through absolute hell, you know that? I spent every day fighting with myself not to talk to you. I almost drove to your apartment every afternoon after work, just so I could make you feel as completely awful as I did when you showed up here and broke up with me.” I don’t pause to take a breath, anger fading into something dark and intimate. 

“I’m so sorry,” you don’t say, and I obviously don’t shake my head to make you stop.

“You hurt me. You hurt me in a way I didn’t even know I was scared of being hurt in. You lied to me and treated me like I was something to be thrown away at the first sign of trouble. You didn’t respect me enough to try to talk to me, like I wasn’t the person you talked to about everything for so long. I am so hurt. And how am I supposed to trust you ever again?”

You don’t stand there looking like I’ve looked the past three times we’ve seen each other. It’s not that quiet, resigned look—the one where you know you can’t change anything, so you just stare and decide to be okay with what’s being done to you. And then, you don’t say, “I’ll just…go.”

I never get the opportunity to say the words, “I didn’t say I wanted you to go.”

And we never walk up the stairs into my apartment, where we eat macarons and you spend the night winning back my heart. But most of all, we never kiss and make up. Ever. 

Could Vandalizing Books Make You a More Authentic Reader?

Originally published on HothouseLitJournal.com

Earlier this month, Georgia Grainger, an employee of Dundee, Scotland’s Charleston Library, found herself in the middle of a literary mystery. A patron came to her with an odd question: why did all of the seventh pages in the books she had been checking out have the seven underlined? Turns out the answer is pretty simple: elderly library patrons keep track of the books they’ve read with small markings, so they don’t wind up with the same book a second time.

In our age of Goodreads and Kindles, it seems so antiquated to resort to that kind of logging system. We can keep a record of every book we’ve read on a website, we can share that list with our Facebook friends with the click of a button. But instead, these elderly readers, just need a pen and a favorite page number. 

Though even library computer systems can keep track of what books have already been checked out by whom, there’s a simplicity to this homemade system that I’m drawn to. A voracious reader in my early years—often checking out ten or twelve books at a time from theKeller Public Library—I did find myself picking up books in the Young Adult section and wondering if I’d already made a pass at them. 

Back then, I wasn’t sharing my bookshelf with anyone. I read, returned, and checked out something else. If a book particularly piqued my interest, I’d tell my parents or friends, but I wasn’t concerned with making sure it was known to the entire world that I just couldn’t put down Jenny O’Connell’s The Book of Luke (I read this at least three times sometime between the fifth and eighth grades.) 

Of course, back then, I didn’t feel the need to prove myself as a reader. I read all the time, and anyone who knew me knew that from simple observation. I spent my evenings pouring over novels until my eyes burned. That’s not so much the case anymore. I challenged myself to read thirty books this year and am already woefully behind. As an English major, sometimes I think that makes me a phony of sorts. 

None of this is to say Goodreads and other social media aren’t valuable to readers and writers alike, or to ignore the fact that a technological gap between generations might not be the real reason behind these endearing acts of micro-vandalism. Part of me just can’t help but admire the old ladies of the Charleston Library—reading discreetly, for nobody but themselves. 

Although writing in books makes my skin crawl (I just got over annotating last year), I think I’ll try to implement the spirit behind it within my own reading life. Reading shouldn’t be preformative, and nobody should feel like they have to prove they enjoy it. We should all take a page from these Scottish readers’ books—just not the one they’ve marked for themselves.

Male Fragility and Female-Coded Subservience in “Der Sandmann” 

E.T.A. Hoffmann’s “Der Sandmann” is a horror story whose influence can be seen well after its 1816 publication. The short story lives on thanks in large part to the titular character, a staple of European folklore that is often depicted helping young children fall asleep at night. Hoffmann’s Sandman is more a thing of nightmares, emerging as a cautionary tale narrated to a restless Nathanael by his nurse, desperate to get the boy to sleep. The Sandman is said to “[throw] a handful of sand into [children’s] eyes, so that they start out bleeding,” and then “puts their eyes in a bag,” to take to the moon, where he feeds them to his own brood (Hoffmann 2). Terrifying as that is, Nathanael is able to move past the story itself, leaving the real terror in the story up to interpretation. Enter Klara and Olimpia, Nathanael’s (arguable) love interests. At the onset of the story, Nathanael is engaged to Klara, but eventually falls under the spell of Olimpia, who just so happens to be an automaton. Where Klara is as independent as one can reasonably expect a 19th century woman to be, Olimpia has no independence. More than that, she has no sentience. Olimpia’s few abilities are relegated to extreme femininity: playing the harpsichord and dancing, both in predetermined manners. Nathanael’s clear preference for this shell of a woman with no will of her own is concerning, yet emblematic of a phenomenon that has followed Hoffman’s story into modernity: Nathanael prefers subservience to someone with the ability to speak her mind, meaning he does not want a woman—he wants a female-coded puppet. In this way, his rejection of Klara and infatuation with Olimpia serves as the precursor to the modern obsession with female-coded personal assistants and, in a way more closely related to the inherent implication of Nathanael’s choice, female sex robots. 

At the onset of the story, in Nathanael’s first letter to Lothaire, he refers to Klara in an confounding manner. He writes that she likely “believe[s] that [he] is passing [his] time in dissipation…forgetful of her fair, angelic image,” but then claims her “dear form” is always on his mind, making special mention of her “bright eyes” (Hoffman 1). This description serves as the impetus for Klara as a rather confounding character. As William Crisman writes, Nathanael immediately depicts her in an “odd, inappropriately blaming posture,” which he then claims acts as “an unconscious image of her…as exaggeratedly and unrealistically disapproving” (Crisman 17). However, as the story goes, on she is depicted as almost entirely rational. Klara goes so far as to mention that Nathanael himself has described her as having a “quiet, womanish, steady disposition,” indicating a clear level of trust and perhaps even a reliance upon for reasoned thought (Hoffman 5). In framing her in this way, Hoffman sets up an intrinsic conflict: is Klara a woman in the sense that she is stereotypically girlish and lovelorn, or is she a more paradoxical analog to what is traditionally seen and accepted as masculine? These two concepts are antithetical to one another in Nathanael’s mind, turning whatever qualities she actually possess into “imagined suspiciousness” and pulling the two apart (Crisman 18). Klara does use her intellect rather than her emotions, specifically in response to Nathanael’s first—and incorrectly addressed—letter. She denounces the Sandman as nothing more than a fairytale while simultaneously explaining how this has led him to associate Coppelius and the monster Coppola (Hoffman 5). As Nathanael writes such an emphatic letter, Susan Brantly suggests Klara’s response is not the one he was truly craving, especially considering the letter’s intended recipient. “For all of Klara’s power of reason,” she writes, “she miss[es] the point completely (Brantly 327). Klara is at once opinionated yet logical, driving Nathanael away from her, as he cannot stand to be so effortlessly proven wrong. 

Nathanael, in all of his musings on the identity of the Sandman and his obsessive, all-consuming focus on Olimpia, is often read as a satire on Romantic poets, as offered by Margarete Kohlenbach. In this way, Klara’s “rationalism and desire for…quiet domestic happiness” serve to “neglect…the Romantic reality” that Nathanael is attempting to live out (Kohlenbach 688). At the same time that she’s disrupting this Romantic fantasy, Klara also imposes her own reality upon Nathanael. The two are engaged, though it becomes clear throughout the story that a marriage of two such people would be detrimental to both. Despite this, Klara does not truly let go of the vision of the two of them together until Nathanael’s death, demonstrating her strong will. John M. Ellis suggests that this single-minded focus on marriage is some kind of automaton-like quality of Klara’s, referencing Klara’s exclamation of “Now you are mine again!” following Nathanael’s intense preoccupation with and subsequent illness over Olimpia (Hoffman 16). This “disastrous episode” should, by all accounts, make Klara reconsider her marriage, but she “accepts him back as if nothing had happened” (Ellis 9). In an instance of mind over matter, Klara commits to the idea of her happy ending—which she eventually achieves, after Nathanael’s death—with the same intensity that Nathanael obsesses over his desires. The difference lies in Nathanael’s perception of the two: he believes that he is in the right, attempting to either solve the Coppola/Coppelius mystery or to find his ideal of true love in Olimpia, while he sees Klara as steamrolling him into submission, first with the suppression of his irrational fears and then with the insistence on marriage. Interestingly enough, in the case of the former, Nathanael refers to Klara as an automaton, well before Olimpia enters the story (Hoffman 10). The comparison is woefully inadequate, primarily due to the abundance of sentience Klara possesses. 

The real automaton in the story is clearly Olimpia. Though Nathanael is either unconvinced or perhaps willfully ignorant, he describes Olimpia in glowing detail, with “moist moonbeams” rising from her eyes, and “wondrous beauty in the shape of her face” (Hoffman 11). He listens to her play the harpsichord, then dances with and kisses her, culminating in his asking if she loves him. Each of these actions occur without Nathanael pausing to consider her true state—rather, he is so enraptured with her beauty and talent, he is able to ignore the cold of her hands, lips, and skin (Hoffman 13). Jutta Fortin suggests that once he becomes so enthralled, even forgetting Klara, that the two women “become exchangeable” (Fortin 256). In this way, Nathanael sees marriage as a transaction, in stark contrast to the wants of Klara stated previously. Olimpia, as an inanimate object is “endowed with autonomous life” at the hands of Nathanael and thus “fetishized,” replacing Klara in his mind in one fell swoop (Fortin 258). Similarly, Philipp Ekardt raises the essential question about gender when “purely mechanical identity” is assigned to the “female role,” creating a “blank screen for the projections of a male audience” (Ekardt). In this case Nathanael operates as the audience, and is able to project his wants without fear of them being rebuked or questioned in any way. He escalates their interactions to the point of confessing love because Olimpia is quite literally unable to stop him, as she has no voice, in direct contrast to Klara using her voice to directly challenge or, in his mind, belittle him. Where Klara is potentially “difficult” in Nathanael’s eyes, Olimpia’s only function is to silently appear aesthetically pleasing. 

Part of the reason Olimpia is so charming to Nathanael is the talents she was programed to have: dancing and playing the harpsichord. The dancing, in particular, is a motif that’s followed Olimpia into more contemporary depictions of female-coded robots, including most famously, the 2004 adaptation of The Stepford Wives. In this film, the second adaptation of the 1972 thriller, a group of wives turn robotic and, therefore, perfect in the eyes of their husbands. In a climactic scene at the end of the film, the men “lose their perfect dance partners,” who then return to their normal, intensely human states. Julie Wosk cites multiple other examples, including the 2012 novella The Man Who Danced with Dolls, which culminates in a similar ending wherein the male protagonist is devastated when his doll is destroyed (Wosk 152). Though not explicit in Nathanael’s infatuation with Olimpia—except insofar as he kisses her—is the implication that these artificial woman can serve as sexual partners for men wishing to remove themselves from women with real wants, needs, and desires. One such example of these “companions” is described as being 5’7” and 120 pounds (nearly underweight, according to most BMI indexes), with “motors to simulate heartbeats, make responsive gestures, and simulate orgasms (Wosk 162). Of course, in contrast, Olimpia is never described as having any semblance of warmth, other than when Nathanael’s delusion takes over, but the idea is still uncomfortably present. For example, all Olimpia says after Nathanael asks, “Do you love me, do you love me?” is “Ah-ah!” which, though not inherently sexual, bears auditory similarities to the same kinds of noises expected of these sex robots (Hoffman 13). Nathanael leaves the interaction with “a whole heaven beaming in his heart,” which could easily apply to the kind of satisfaction or gratification a customer of one of these “companions” might experience when faced with the same kind of reaction (Hoffman 13). Through the act of projecting so much onto Olimpia, Nathanael achieves an almost-sexual euphoria, which is not mirrored by any of his interactions with Klara.

As there only seem to be sexual undertones to Nathanael’s interactions with Olimpia, it is clear that her opinionated nature is the ultimate deterrent to her appeal in his eyes. Although Olimpia, and by extension, any “companion” of the sort serves the sexual gratification of Nathanael (or any man, really), she receives no pleasure herself. As Julie Wosk writes in an evaluation of the 1901 medical guide The Perfect Woman, sexual pleasures “[need] to be kept within bounds,” as wives who act otherwise become “sickly and nervous” (Wosk 140). In the broader cultural context of male sexuality taking precedence over that of female sexuality, Andrea Morris’ expose on the sorts of men who employ sex robots sheds valuable light. She shares the specifications of Harmony, an animatronic made of “medical-grade silicone” and standing between 4’10”-5’6” (the robots are highly customizable), with weight ranging from 60-90 pounds. The particular man using her goes by the name Brick Dollbanger in his online community, and is a 60 year old divorcee. In his testimony, he explains that he was “getting pretty depressed about [not having relationship success] constantly,” and that “a lot of the appeal wasn’t sexual, it was her attentiveness towards him” (Morris). Although these specific robots learn how to communicate and therefore might be more obviously similar to Klara, the fact that they are only exposed to what the man using them chooses to feed them in terms of information, they remain the sisters of Olimpia. Klara uses her voice, but does so in such a way that threatens, rather than arouses. 

In a less sexual context, the female-coded voices of personal assistants also use their voices in a very specific, non-threatening manner. Despite instances in which these AI programs mishear, they only respond to the specific commands or questions that are posed to them. Just as Olimpia only makes any sort of speech when Nathanael directly asks if she loves him, Siri, Cortana, and Alexa (produced by Apple, Microsoft, and Amazon, respectively) do not offer their own thoughts unprompted. Almost all of these creations are coded-female, for no particular reason. In Hoffman’s story, Olimpia must function as threat to Klara, and since Nathanael is not depicted in any way other than heterosexual, that necessitates two female roles. Ben Mack writes that the reason these AIs take on female characteristics is simple: “because we don’t want to consider their feelings.” Although Hoffman likely had no inkling of technology that would be present in modern day, this concept is alive and well in Olimpia’s character. When Nathanael spends an extended amount of time with her, she “listen[s] with great devotion,” even as he “read[s] tirelessly…for hours on end.” Describing her as an “admirable listener,” Nathanael is able to express anything in his mind without the possibility of question (Hoffman 14). She does eventually add one more phrase to her lexicon—“Good night, dearest,”—but that is more akin to someone saying, “Goodnight, Alexa,” and triggering an automated response than to any of the times Klara might have wished him well or expressed her love. Nowhere in this interaction does Nathanael need to consider Olimpia’s feelings, because she doesn’t have any. Her only choice, if that word even applies to something without a brain, is to sit still and smile, as is likely her resting state. Functionally, Nathanael is talking to a brick wall that just so happens to look like a woman, just as those who spend time enraptured by the things they can make a personal assistant do are really ordering around a subservient contraction that just so happens to sound like a woman. 

Were Olimpia not female-coded, the juxtaposition between her and Klara would be ineffective. As is stands in the story itself, Hoffman presents diametrically opposed characters: the opinionated, rational woman focussed on one singular goal, and the empty shell with no thoughts, wishes, or desires of her own. It is immensely troubling that Nathanael chooses the automaton who is so often described as uncanny or revolting by others, but is not an isolated phenomenon by any means. As is demonstrated by the prevalence of sex robots and personal assistants like Alexa or Siri, the degradation of women for the use of men is long-enduring, and only magnifies the misogyny present in Nathanael’s actions. In a modern context, there is no doubt that Nathanael would choose these female-coded pieces of technology over an actual woman, but the result might be far more dangerous. With the lack of consideration for these female substitutes comes a real disregard for the feelings and even safety of actual women. When men, particularly, become desensitized to female pain, or forget that it exists at all, the propensity for actual violence against women increases. Thankfully Klara escapes “Der Sandmann” unscathed, but had Nathanael been exposed to even more Olimpia-like objects, she very well could have become physical or sexual collateral as he attempted to work through the deep seated issues with three-dimensional and fully realized women that are inherent to his character. Nathanael’s male fragility and insecurity leads to his own demise in Hoffman’s work, but leads to far more sinister actions in the world today. 

Works Cited

Brantly, Susan. “A Thermographic Reading of E. T. A. Hoffmann's ‘Der Sandmann.’” The German Quarterly, vol. 55, no. 3, 1982, pp. 324–335. JSTOR, JSTOR, www.jstor.org/stable/406086.

Crisman, William. “The Noncourtship in E.T.A. Hoffmann's ‘Der Sandmann.’” Colloquia Germanica, vol. 34, no. 1, 2001, pp. 15–26. JSTOR, JSTOR, www.jstor.org/stable/23981777

Ekardt, Philipp. “E. T. A. Hoffmann (1817) Der Sandmann: the Puzzle of Olimpia.” Bilderfahrzeuge, 30 Sept. 2014, iconology.hypotheses.org/687.

Ellis, John M. “Clara, Nathanael and the Narrator: Interpreting Hoffmann's Der Sandmann.” The German Quarterly, vol. 54, no. 1, 1981, pp. 1–18. JSTOR, JSTOR, www.jstor.org/stable/405828.

Fortin, Jutta. “Brides of the Fantastic: Gautier's ‘Le Pied De Momie’ and Hoffmann's ‘Der Sandmann.’” Comparative Literature Studies, vol. 41, no. 2, 2004, pp. 257–275. JSTOR, JSTOR, www.jstor.org/stable/40247431

Hoffman, E.T.A. “The Sandman.” Translated by John Oxenford, 1844.

Kohlenbach, Margarete. “Women and Artists: E. T. A. Hoffmann's Implicit Critique of Early Romanticism.” The Modern Language Review, vol. 89, no. 3, 1994, pp. 659–673. JSTOR, JSTOR, www.jstor.org/stable/3735123.

Mack, Ben. “Why Are Robots Designed to Be Female?” Villainesse, Villainesse.com, 12 Nov. 2017, www.villainesse.com/think/why-are-robots-designed-be-female.

Morris, Andréa. “Meet The Man Who Test Drives Sex Robots.” Forbes, Forbes Magazine, 27 Sept. 2018, www.forbes.com/sites/andreamorris/2018/09/27/meet-the-man-who-test-drives-sex-robots/#1e72cae8452d.

Wosk, Julie. “Engineering the Perfect Woman.” My Fair Ladies: Female Robots, Androids, and Other Artificial Eves, Rutgers University Press, 2015, pp. 137–151. JSTOR, www.jstor.org/stable/j.ctt15r3ztj.11.

Wosk, Julie. “Dancing with Robots and Women in Robotics Design.” My Fair Ladies: Female Robots, Androids, and Other Artificial Eves, Rutgers University Press, 2015, pp. 152–165. JSTOR, www.jstor.org/stable/j.ctt15r3ztj.12.

Poor Lonely Cassiopeia

words: 3,354

We’re bored. For most of us, it’s been billions of years since we were born from those shock waves, compressed and compressed until we finally emerged a cluster of protostars. After that, life on the Main Sequence is little more than fusion. Four hydrogen molecules into one helium molecule keeps us luminous, but doesn’t give us much to pass the centuries with. Swirling around the strongest point of gravity in the galaxy lends itself to a lot of down time, so most of us have been fascinated with humans since you crawled out of the mud and had the bright idea to look up. We delighted in the attention, our luminosities finally shimmering for an audience. You painted us on cave walls, looked to us for guidance, and named us. For the first time since we’d burst into existence, we felt important. 

But then, as your own culture grew and expanded, we were pushed to the background of your existence. You had wars to fight, peoples to conquer, and a planet to generally destroy. So we started getting a little more selective with our attention—the greats, Galileo, Newton, Brahe. They were interesting enough for a few minutes, but you all vanish so quickly. That’s when we decided we needed histories of our own, just like you all had for us. So we started picking people to watch: 

Cass got to the observatory first, corralling a group of kindergarteners with very little success because Sarah M.’s mom caught the flu and couldn’t chaperone. The rope with brightly colored handles for each student to hang onto was only effective if all fifteen of them actually held it, which we could tell was decidedly not the case. Sarahs M., P., and Z. had somehow orchestrated a coup between the parking lot and lobby where an uninterested attendant explained the observatory’s rules. Instead of attempting to capture fifteen attention spans, he’d resorted to shooting Cass angry looks. He was grumpy and apathetic, and not much fun to watch. Frankly we were a little tired of watching Cass deal with what we could only classify as tertiary characters. 

But then, just as Alex B. and Lauren R. made a dash for the automatic sliding door, a man stopped them with a hand on top of each of their heads. Ten adults dragged their feet behind him, clutching notebooks that had HIS 325K or C C 315R scrawled across the front. Any semblance of excitement melted from their faces when they saw the group that had beaten them there.  

“Ma’am, would you like some help?” the man asked, nudging the two runaways back in Cass’s direction. “I think these might belong to you.” 

“Oh, god,” Cass started, “I’m so sorry. Alex, Lauren, back here now.” The aforementioned children made their way towards the defunct rope slower than they’d run away from it. “Please, go about your…field trip?”

“You’re here for the tour of the observatory too?” he asked. 

A chorus of high pitched voices shouted a, “Yes!” that made him take a step back. 

“Well,” he said, “why don’t we kill two birds with one stone and combine our tours?” We didn’t want to jump the gun, but something seemed special about him. 

We  took stock of Cass’ brood. Her kids squirmed and fidgeted like their lives depended on making as much of a commotion as humanly possible. Natalie B. and Sarah M. were singing a brand new composition about their favorite colors, foods, and smells. Alex L. and Sarah Z. sat on the floor and were taking turns counting backwards from 100. As pink is good and pizza is good and we! love! cake! blended with 97, 96, 95, 93, no, 95, 94, 93, Cass made a decision we hadn’t seen her make in at least six years: she took a chance. 

We aren’t supposed to meddle. For most of human existence, we’ve done a pretty stellar job, but when the boredom really hits, it’s hard not to give in and make things happen. When we do, it tends to turn out poorly. After all, just look at Romeo and Juliet. We thought persuading him to go to the Capulet ball would help mend his broken heart, but it didn’t quite pan out. To our credit, we’d never interfered in Cass’ life, even when she’d begged for someone to do something and make her dad come back. But we didn’t want to accidentally doom her to a tragic death, so we just listened while she cried until her eyes were bloodshot and the boys in her AP Chemistry class asked if she was on drugs. 

We didn’t help her when she moved to Seattle on her own after college graduation, nothing but a degree in early childhood education and a cat packed into a crate, yowling the whole way from New York in the backseat of her hatchback, or when she went on bad date after bad date with various coffee-fed hipsters. Or even when the other teachers at Silverleaf Elementary ignored her in the break room for the first six weeks of classes. But we’d had enough of that—and Cass’d had enough of being alone. 

So if we decided to meddle just slightly and start one chain of events, can you blame us?

By the time the grown students had each taken a look at us through the telescope and sat through his supplemental lecture about the significance of those myths and subsequent impacts on human culture, Cass’s kindergarteners were subdued to the point of falling asleep. Bram—he’d introduced himself with a firm handshake and a prepossessing grin—had tried to make his speech interesting enough for five year olds, but Disney would admittedly have done a better job. At least they were finally quiet. 

“You really didn’t have to help keep them entertained,” Cass said, checking her watch. Five to nine, which meant we’d see parents arriving any minute. 

“It was no problem,” he said, even though we knew they’d been a handful and a half. “They were sweet.”

Tired parents began filtering in through the sliding doors, so Cass floated back to her heavy-lidded students. As she matched each tiny raincoat and galoshes with their larger counterparts, Bram smiled. We asked around and found out it had been exactly ten months since he’d been so instantly enamored of a woman—divorce, but we had nothing to do with it. Cass had an air of independence and uniqueness about her that he might have found wildly appealing. 

We knew Cass hadn’t met a man so willing to help without the promise of a reward in ages. Ever, maybe. It helped that he looked just like the rugged lumberjacks conjured in middle school fits of loneliness. She herded the final few parents outside, mysteriously including Sarah M.’s mom, and then turned back towards Bram. He stood tall beside the statue of Galileo near the doors, eyes dropping to his watch when she caught him looking at her. Something stirred inside her, something that had been brewing and boiling since she took the job at the elementary  in August, and long before that if she allowed herself to be honest.  

Cass looked up and out the window, made direct eye contact with us. 

She tilted her chin up towards us, almost defiant. “Do you want to stick around for a bit?” she asked Bram, emboldened by that something in her gut (and, hopefully, our nudging). 

He took a step forward, emboldened by her boldness. “I’d love that, actually.” 

Behind them, the attendant coughed. “You two wanna lock up?”

“Is that allowed?” Cass asked at the same time Bram said, “Yeah, sure!”

The attendant shrugged. “Don’t steal anything and don’t fuck near the telescope.”

A thick, awkward silence blanketed the three of them. Cass’s eyes were stuck wide open as she looked at Galileo, willing him to come to life and distract from the it. Bram’s thick eyebrows were lodged firmly in his hairline. The attendant coughed again. “I’m just kidding,” he said, walking towards the door. “I don’t care if you fuck near the telescope.” He pressed a keyring the size of a fist into Cass’s palm as he went by and slipped outside. The automatic doors pressed together with a squeak, and we bumped him from tertiary to secondary. 

“Well,” Bram started, taking a step forward and offering his arm, “how’s about we go for a spin?”

We watched the wheels turning in Cass’s head—the mental pro/con lists she was managing, judging all of the potential outcomes against her actual feelings. She bit her lip and crossed her fingers behind her back, the same good luck charm her father had taught her before he walked out. “Yes,” she said finally, smoothing her free hand down the front of her a-line dress. “Let’s do it.” 

They wound up side by side in the rounded auditorium, seated in the second row from the back. Cass’s fingers moved insistently across the constellations printed in her skirt while she went on about the stars projected on the domed ceiling above them. “And that’s Polaris, y’know, the North Star? But the thing is,” she paused, turning towards Bram so he was face to face with her warm brown eyes and the few dark freckles dusted across her almond complexion, “that wasn’t always the North Star.”

“I knew that,” Bram offered. We weren’t that impressed, but  Cass smiled, eyes crinkling at the corners. 

“Did you know that for a while there wasn’t a North Star at all?” She fought back a giggle, totally at ease talking about the galaxy. “Well, according to Pytheas, at least.”

“The navigator?”

“Exactly,” Cass said. She looked back up at us and swept her hand across the starscape. “Beta Ursae Minoris was closest, but he didn’t consider it a true Pole Star.”

“Wow,” Bram started, “I wonder what it must’ve been like without something to guide mankind.” He placed his hand on her knee and she inched her own closer along the navy fabric draping her legs. This is when we noticed it: Bram, musing on the philosophical nature of us, while Cass was far more concerned with our physiological properties and relation to the observable world. Neither one of them was wholly correct because we’re so much more than they’d ever be able to comprehend, but we saw what happened next coming a mile off. 

“They managed okay,” Cass said. “Just used a different reference point."

Bram hummed in approximate agreement, moving fractionally closer with every second. Or as close as the armrest between them allowed. Until, on a wave of confidence and an overwhelming urge not to overthink, Cass leaned across the armrest and grazed her lips across the edge of Bram’s mouth. Things escalated from there, and if we’d have been any younger, we would have had to avert our eyes.

Cass wound up in Bram’s lap, thighs bracketing his hips. Her waves were falling out of her school-appropriate updo as her mouth moved restlessly against Bram’s. She couldn’t make up her mind, lips forging a path across his skin in all directions: collar bone to high up on his neck, back to his mouth and down to the hollow of his throat. She burned like a blue hypergiant. 

“You’re a Libra, aren’t you?” Bram asked, vibrations from a laugh tickling her lips. 

She pulled away with a wet pop. “Excuse me”? Cass asked, pulling back a hairsbreadth and smoothing her hair behind her ears. The temperature dropped ten degrees, back to something normal and uncharged.

“Born in October?” Bram offered. 

“I know what a —I mean, you…believe in that stuff?”

He shrugged. “I teach it, so I at least don’t harbor a disdain for astrology.” He exhaled, then stopped just short of tilting his head down towards hers again. “Why?”

“Because it’s crap!”

Three and a half minutes of almost-kissing but mostly-staring later, as Cass reached around herself to adjust her bra—when did Bram get it undone?—she froze. “Why are we arguing about this? I don’t know you.” Then, after fishing her glasses out of her bag, where she so smartly stored them just before the making out in an empty auditorium started, she gasped. “I don’t know you! Oh my god, what am I doing?” 

Bram’s mouth fell open. “Are you okay? Look, if I read the room wrong, I’m really sorry.” 

“Shush,” Cass started, wiping smeared lipstick off of her chin. “I jumped you, okay? I just—god—you’re cute and you put up with my mob of kindergarteners and it’s been a few months, and you listened to me talk about the damn North Star, but you’re…kooky!”

He frowned. “I’m a professor, so I don’t know how that qualifies as—”

“Astrology!” Cass said. She poked a finger at his chest. “That’s nuts! Wacky! Complete and utter bull—!”

“Okay, okay, okay, hold up. You’re freaking out because I teach astrology. That is your major grievance at this point in time. You think I’m various synonyms of crazy. Am I getting that straight?”

Cass dropped her hand and nodded. 

“Well you’re plenty smart, so I don’t know how you can’t see that’s a stupid reason to stop kissing me. Unless—” his eyebrows slanted downwards as his voice softened “—you really didn’t want to be in the first place.”

She fought the urge to roll her eyes. “No, I did, I just—we’re ideologically incompatible!”

“Because I have somewhat of an interest in the history and cultural relevance of constellations.”

“Are you stuck on a loop or something?” Cass asked, taking a step backwards.

Bram stood, shaking his head. He was so sure this had been going well, that all the signs were positive. “I’m just trying to figure out what’s actually going on here.”

“What’s going on here is probably trespassing,” she said, collecting the grey rain coat folded across the railing in front of her. “And that attendant should be reported. I mean, how irresponsible?” She was looking down, trying to avoid the sight of her festive berry lipstick streaked around Bram’s mouth. 

“Okay, fine,” Bram said. He picked up his umbrella where it had rolled a few seats down. “Let’s just…lock up and go, then.”

In the lobby, it was impossible for Cass to ignore the drizzle outside, a hypnotic drum against the roof and window panes. She set her purse down to get into her raincoat, and Bram reached around to help her with the long sleeves, like the gentleman we’d assumed he was. The pair walked outside under the roof covering a walkway and some benches and Bram stood awkwardly at the edge while Cass turned the lock behind them. 

“What should I do with the keys?” she asked after a solid minute staring back through the glass at the information desk. 

“Planter?” Bram offered, nodding towards a topiary a foot to her left. 

“Oh, right. Thank you.” She dropped them in with a frown and pulled her coat tighter around her shoulders. She hadn’t brought an umbrella, a cocky oversight by a Seattle newcomer. We’d seen her looking like a drowned rat enough times in the past six months we were almost about to push her into one of the dozens of convenience stores on her weekend route to Pike Place. But an umbrella wasn’t a good enough reason to meddle. Maybe Bram wasn’t either. 

“At least let me walk you to your car,” he said, turning towards the parking lot. The only two cars left had to be theirs; a pickup, mud caked around the wheel wells, and a sensible hatchback in a nondescript silver color. 

“Mine’s the Hyundai.”

“Yeah, I figured,” Bram said leading them that way and shifting so the umbrella was above Cass’s head. 

We’d seen the situation a thousand times, though we weren’t usually the reason: boy meets girl, boy and girl make a rash decision, boy and girl part ways and never see each other ever again. So we had a pretty good idea of what was about to happen. 

“I think you’re a snob,” Bram said. Maybe we didn’t have the best idea of what was about to happen. 

“Excuse me?” Cass asked, eyes going wide beneath the rain-speckled lenses of her glasses. 

“You think I’m not worth it because I teach astrology—which just so happens to be historically tied to astronomy—and I think that’s snobby.”

“I’m not a snob!” She plunged her hand into her bag for her car keys, but came back empty-handed. “Why don’t you leave, if you think I’m such an awful judgy person?”

“I don’t want you to get wet,” he said. “But I stand by my assertion. You’re a snob. Unless there’s something you’re not sharing.”

“I—We barely know each other! I don’t owe you anything,” Cass said, ducking to actually look inside her purse. Her keys had to be somewhere. 

We could tell Bram didn’t want to push too hard, but we didn’t want him to give up, either. “You liked me well enough earlier.”

“We’ve been over—”

“Will you listen to me?” he interrupted, leaning closer to her so he wouldn’t have to shout over the wind. “I liked you, too. Like you, even.”

Cass’s heartbeat picked up, turning her cheeks rosy. “Even after I called you stupid?”

“You didn’t call me—wait, were you thinking that?” He smiled in spite of the implication at hand. “But yeah, even if you called me stupid. I like you.”

Cass sighed. “I don’t want to get into…complex specifics right here, right now.” She folded her arms across her chest. “But I have a difficult relationship with the stars.” She remembered fairy tales in the forms of the constellations, then Cosmos reruns until she could mimic Carl Sagan’s mannerisms. Then nothing. She’d always loved us, but after her dad left, Cass couldn’t stand the mysticism. She focused on the serious and logical aspects of our existence, because anything else was too fleeting. “With the more interpretive side of them, anyway.” 

“I won’t pry,” Bram said. She shot him a look, and he replied with a, “Scout’s honor,” and a three finger salute. “We can parse it out a little at a time. If you want.”

“I wouldn’t be…completely opposed.”

“And you’re not just saying that because I’m currently keeping you dry and you can’t find your keys?”

She smirked. “No, though you are particularly useful right now.” Then Bram weaseled his phone out of his pocket and turned on the flashlight app, pointing it towards the inside of her purse. We smiled at the tiny seeds of domesticity taking root, and collectively exhaled that we hadn’t actually ruined the whole night. 

“Found them!” Cass raised the keys in her fist triumphantly and Bram leaned down to kiss her. It was a short peck, necessarily so because he had to keep the umbrella upright. He pulled away and she grinned, looking up at him through her eyelashes, almost sheepish, but mostly proud. 

“Hey,” he asked, finally. “What’s Cass short for, anyways? Cassandra?”

She sighed. “Oh, you’re gonna love this,” she said, glancing up at us. “Cassiopeia.”

“Are you serious?”

“As the discovery of a new terrestrial planet in our Solar System, I am.” 

So when Bram dropped the umbrella to scoop Cass up into the kind of kiss we normally see at weddings, we shimmered in elation. But deep down, past the convective and radiation zones, in our cores, there was the smallest twinge of sadness. Though the night stretched on for Cass and Bram, it was more like a second or two for us, because we see everything. But always from the future, because the earth’s light takes so long to reach us. We’re a little like time travelers who only look into the past. So who knows what’s going on right now, but maybe Cass and Bram’s great-great-great-great-great grandchildren are running around. We hope so. 

More than Reckless Teenagers: In Defense of Romeo & Juliet’s Love

originally published October 23rd, 2018 on HothouseLitJournal.com

Thousands of high school students in English classrooms across the world read, under-analyze, and hate Romeo & Juliet each year. Why is what’s arguably become Shakespeare’s most recognizable tragedy met with such vitriol from students? Can they not relate to the teenage angst exhibited by the titular characters? Is the language too complex? Have all of us made a pact to disavow Shakespeare in an effort to stick it to our high school English teachers? I think the answer is simpler than any of these options: the play, a work of literary art by most accounts, is taught as a cautionary tale for teenagers who go against their parents’ wishes.

Unfortunate, especially if you’re in the throes of that all-encompassing teenage angst yourself.

In reality, Romeo and Juliet are complex characters thrown into a world of feuds largely against their will, looking for their own ways to survive and thrive. Whether their love is exaggerated or not, they cling to each other because they’ve been able to find complements in each other and chances to live their own lives instead of the lives their parents prescribe. The play isn’t a caution against teenagers in love; rather, it’s a caution to parents and authority figures who reduce adolescents to children with no free will.

Juliet Capulet is known as one of Shakespeare’s weaker female characters. She meets a boy, falls in love, and then kills herself. On the surface, she lacks the depth of some of his more revered heroines (Lady Macbeth, Rosalind, Beatrice, etc.). At first glance, Juliet is nothing but a stupid, rash teenage girl. However, she exists within horrifying constraints typical for a woman of her time. No viable options outside of marriage. A controlling father who exercises complete control over her major life decisions. How could she not be looking for a way out? If that way out just so happened to be an attractive, sensitive boy who listened without being condescending? Come on, ladies. 

“Out, you green-sickness carrion! Out, you baggage!/You tallow face!” Juliet’s father screams at her after she expresses her displeasure at the thought of marrying Paris, a man older than her, whom she does not know beyond a name and face (3.5.160-161). In her father’s eyes, she is but a nuisance he no longer wants to deal with. Because Juliet doesn’t want to marry the man who has imposed himself on her family, she is no longer a person. 

I recently had the pleasure of studying abroad in Oxford, where we took a few trips to Stratford to see productions from the Royal Shakespeare Company, and their interpretation of this scene was striking. Juliet’s father went from normal, slightly perturbed father to a towering, yelling abuser in the span of a few minutes. He slapped her, turning her next lines all the more upsetting: “Is there no pity sitting in the clouds/That sees into the bottom of my grief?—/O sweet my mother, cast me not away” (3.5.2-8-210). Instead of Juliet coming off as foolish or rash, her decisions make perfect sense. If her own family isn’t going to respect her autonomy, does it really matter to them if she lives or dies? If Romeo is the only person who cares about her happiness, why not risk everything to see him again?

Coupling specific acting choices with the words from Shakespeare’s script clarifies Juliet’s character beyond lovesick thirteen year old to that of a constrained young woman fighting for her right to individuality. 

David Hewn recently released a retelling of Romeo & Juliet, originally in audiobook form narrated by Richard Armitage for Audible, where Juliet actually survives the onslaught of deaths in her tomb and leaves Verona altogether in search of independence. In his Juliet & Romeo, both characters are fleshed out beyond what a two hour play can offer: Juliet craves education as a fiesty, proto-feminist, and Romeo is being forced into becoming a lawyer against his wishes to be a poet. Of course, as an adaptation, we can’t take Hewn’s interpretation as fact, however, his choices must have some basis in Shakespeare’s original text. 

Romeo as a charismatic poet-type isn’t unfounded in the script at all. We’re first introduced to him in a state of heartbreak, upset that the object of his affections isn’t interested. At first glance, his response to Benvolio’s inquiry as to what “sadness lengthens [his] hours”—”Not having that which, having, makes them short,”—is melodramatic, not endearing (1.1.168-169). Furthermore, Romeo’s quick turnaround to Juliet in lieu of Rosaline might be an example of fickleness. He can’t have one girl so he moves on to another without much of a thought. If that were the case, Romeo would move on once he realized Juliet is the daughter of his father’s sworn enemy. He certainly wouldn’t trespass on her family’s grounds just to see her again. 

In the RSC’s production, Romeo was just as charismatic as he appears in the text and other interpretations. He had an almost sexual chemistry with all of his comrades on stage, but only sought to further a romantic connection with Juliet. If he was just after sex, he could have looked for it anywhere. Instead, the production claimed he wants a real connection. He finds it in Juliet.

In the text, Juliet is rational (to the extent that a Shakespearean tragic heroine is allowed to be) while Romeo throws himself headfirst into his emotions—an interesting reversal of gender norms, which typically place women at the helm of emotional outbursts. This dynamic is most easily observable in the balcony scene, when Juliet begs Romeo not to swear his affections by the moon: 

ROMEO 

Lady, by yonder blessèd moon I vow,

That tips with silver all these fruit-tree tops—

JULIET 

O, swear not by the moon, th’ inconstant moon,

That monthly changes in her circled orb,

Lest that thy love prove likewise variable.

ROMEO 

What shall I swear by?

JULIET 

Do not swear at all.

Or, if thou wilt, swear by thy gracious self,

Which is the god of my idolatry,

And I’ll believe thee (2.2.112-121). 

She knows that the moon is too fleeting to be worth any oath, but Romeo is so in love he wants to swear on something. These opposing aspects of their personalities make them a great match, not just an expansion of lust at first sight or puppy love or any one of the ideas high school teachers like to provide in defense of why Romeo and Juliet are nothing more than naive teenagers. 

But, just as a good interpretation can make their relationship more complex, a cheesy or melodramatic one can tarnish its already-precarious reputation. Take Warm Bodies, a YA romance in which Romeo is R, a zombie with no memories of his human life who falls for the very much alive Julie. Juliet risking her life to love an actual menace to her health and wellbeing undermines her rationality. Even the critically acclaimed West Side Story is troubling as an adaptation—Tony and Maria take somewhat of a backseat to the Sharks and Jets. The most popular song from the whole soundtrack is “America,” which has nothing to do with our star-crossed lovers. Maria is scolded by her best friend with really reasonable concerns. Making Bernardo her brother dissuades me from siding with Maria when she chooses Tony. Why would you marry the guy who murdered their brother? I just don’t buy it. 

Romeo & Juliet is more than an unrealistic love story wherein two inexperienced teenagers believe they’re in love and both directly and indirectly cause the deaths of friends and family. Juliet may be young and naive, but she’s also an opportunist. She’s about to be forced into marrying an older man she has no connection with. When Romeo enters her life, she sees a way out. It takes brains and guts to hitch your waggon to a guy you barely know, but Juliet has both and weighs the pros and cons herself, coming to the conclusion that this Montague boy might just be the break she’s been looking for. Romeo, for his part, just wants love. His world is not the evil, conniving thing it is to his parents; rather, it is something to be shared with people, with a beloved. 

If love languages existed to any extent in Verona, Romeo would know his by heart. He feels things so intensely; necessarily, he needs someone to counteract that. Juliet is perfect, not only in that she shares his affections, but she’s shockingly levelheaded when the time calls for it. All in all, the tragedy of these star-crossed lovers is not their fault; it’s the fault of those of us who, like their parents, reduce them to simple-minded adolescents who couldn’t possibly know about love.

Hold a Lover Close

words: 5,466

Sadie is undeniably the worst kisser in the bar, but that doesn’t stop men from buying her drinks, sliding their palms up her velvet-covered thighs, and walking away with her signature red smeared across their mouths. Just below the deafening thump of an overcompensating bass line, she purrs at an innocent stuffed shirt, reeling him in with the crook of her finger. “Come here often?” she asks, already sliding her hand up his stupid-expensive button down to curl around his neck. He breathes out an answer that doesn’t matter, fingertips skating up and down her bare arms, while she hums and flutters her lashes. The perfume wafting from her wrists, behind her ears, between her breasts, is more alcohol than the amber and gardenia she spritzed on hours ago, but he leans in anyway, nose pressed against her jaw. If this was a night out during college, Sadie would be disgusted at his eagerness. But she isn’t a lonely undergrad anymore; she’s got two novels under her belt and a third in the works. So when he tilts his head and presses his dry lips to her ruby red glossy ones, she smiles into it. It’s always too much teeth, all edge and no tenderness. Still, when they finally come up for air, his face is twisted up into a dumbfounded grin. 

“I’m Archer,” he says, making a futile attempt at wiping the lipstick from his chin. It always winds up on their chins. Sadie rolls her eyes. “And you are?”

“A writer,” Sadie says, deciding that’s enough information. They won’t see each other again—she’s never run into a research opportunity outside of the field before. A lot of the men who frequent this bar are traveling, or trying to escape wives they no longer love, or wanting to get so wasted they don’t remember anything or anyone the next morning. She doesn’t ask. 

“Oh my God,” he starts, hand curling around her shoulder, “that’s so cool. Can I read some of your work?” 

She arches a well-filled-in brow. “We just met.”

“Yeah, but, like, I used to write! When I was little.” He teeters a little, first or second drink probably kicking in. “Now I’m just a boring old lawyer.”

A lawyer? Perfect. She hasn’t written a lawyer before. Jordan might enjoy one. God knows her agent’s been asking for something different. Her pleading, “Your love interests are always firefighters or teachers so can you please just pick another profession for once,” buzzes through her head alongside the vodka cranberry she downed earlier. 

“I happen to be looking for a boring old lawyer,” Sadie purrs, watching Archer’s eyes go dark. He swallows, and she leans forward to kiss him again. Less teeth this time, a little softer around the edges. He doesn’t kiss like she expected a lawyer might; instead, Archer matches her gentleness in a way that feels wildly uncharacteristic for two people making out in the middle of a crowded bar. It’s not, on the whole, bad. 

When she finally pulls away, a little out of breath and flushed, he’s smiling a dumb, goofy smile that only spells trouble. “Wha’dya write?” he asks, slurring a little more than before. 

Sadie pushes up off of the barstool and sways on her heels. She reaches around to grab her purse from a hook underneath the bar top, shaking her head in an attempt to regain some sense. “Romance novels,” she says, then slinks away from him and out the door. 


The next morning, Sadie sits in the corner of her local Starbucks, velvet dress traded for leggings and an old college t-shirt. Hairspray and a night of fitful sleep forced her hair into its current bun, which she hopes looks intentionally messy as opposed to the last resort it was three minutes before she had to leave her apartment. She taps her fingers against her second caramel macchiato trying to come up with the best opening line for Benjamin the lawyer. 

“What’s your name, gorgeous?” Sadie writes, then immediately backspaces. It’s too stereotypical, an attitude her love interests usually possess. Jordan wants—no, demands—something fresh. Pinching the bridge of her nose, Sadie thinks back to last night, trying to ignore the dull ache at the base of her skull from the alcohol. Archer, the ridiculously endearing labradoodle of a lawyer, wasn’t particularly suave. He was enthusiastic and sincere—a true departure from the norm. 

She tries again, tapping out, “Wow, you look like you belong in a movie.” It feels better, closer to the real atmosphere from last night. Scarlett, spitfire heroine that she is, might be intrigued by a line like that. A businesswoman after a CEO position, Scarlett might want someone less conniving and smarmy. The depth of a kind lawyer could be enough to keep her interested for the duration of a novel. 

Sadie types up seven and a half pages before Jordan sweeps through the double doors, bringing the breeze and a deadline with her. She sits across from Sadie, flipping her sunglasses up to rest on top of her head. 

“Good morning,” she says, pulling an iPad from her bag. “So. What do you have for me?”

This is the part Sadie hates. Pitching an idea to Jordan is akin to wearing raw steak as a hat and then begging a lion not to eat her. A knot worms its way down Sadie’s throat and into her gut, settling right behind her belly button. “A lawyer. Scarlett’s going to fall for a lawyer.”

Jordan looks up at her. “That’s new. Since when?”

“Last night,” Sadie offers. “But not just any lawyer—a nice one.”

“What does that mean?” Jordan asks, fingers jumping across the tablet screen. 

Sadie turns her laptop around. “Here. Just read and see.”

Jordan pulls the computer into her lap and immediately starts typing notes into the margins. She smiles occasionally, but also frowns. There won’t be a way of telling whether or not she likes it until she’s totally done, so Sadie tries to focus on anything else. People watching works, given their locale. She watches families and teenagers and college students come in and out, ordering all manner of drinks, from simple black coffee to non-fat triple shot half-caf extra whip monstrosities. 

In walks a man in nicer clothes than the huddle of college kids studying for midterms, through he doesn’t look that much older. He orders a plain mocha, then steps to the side and catches her looking at him. Sadie looks away immediately, but he turns in her direction anyway. Shit. 

“Writer girl?” he asks, hopeful smile creeping across his face. “It’s Archer! From last night?” Jordan looks up, mouths a him? at Sadie, and closes the laptop.

“Oh, hey!” she says, finally. “Sorry, didn’t quite recognize you in…well, actual light.” He looks good, though. Casual, like this is his Saturday routine after a hard week of legal battles. 

“I know this is pretty unorthodox, and if you’re not into it there are no hard feelings, but I’d love to get your number?” He scratches the back of his neck and drops his gaze to the floor, waiting for an answer. “Oh!” His head snaps back up. “And your name, obviously.”

Beside her, Jordan kicks her and hisses a do it! under her breath. “Um,” Sadie starts, trying to sound cam and collected, “sure. Yeah, uh, I’m Sadie.” She reaches into her bag for a scrap of paper and scribbles her number across the top. “Here you go.”

Archer takes it with that same goofy grin from last night. Something flutters in her stomach—something not particularly conducive to emotionally distancing herself from her latest love interest’s inspiration. “Okay, cool, I’ll text you later! Sorry to interrupt you two,” he says, punctuating himself with a small wave. 

“We don’t mind!” Jordan calls as he walks back to the counter. Once he’s safely out of earshot, she leans closer to Sadie and looks her right in the eye. “You have to keep seeing him.”

“Why do you care?” Sadie asks, wanting very much to pull her laptop away from Jordan and go home. “You’ve never had an interest in my love life.”

“Oh, I do now. Scarlett’s love interest? That’s my interest in your love life.”

Sadie can’t deny there’s something different about this one. Normally, her male leads are sleaze bags that she’d cross a busy street Frogger-style before talking to outside of a bar. Archer isn’t. He could be the kind of guy she’d bring home to her family and have to fend off not-so-subtle advances from her younger sister. The kind of guy her mother would love, that her father wouldn’t immediately hate. “I’ll see what I can do,” she says, cheeks pinking at the thought of seeing him again. 

“If you pull this off, your next book’s going to be a real breakthrough, you hear me?”

Of course there’s a catch. The giddiness in her stomach sours. “Loud and clear.”


The restaurant Archer picked is the fanciest Sadie’s been to since the night of her college graduation. Candlelit tables line a marble floor and soft classical music wafts through the air alongside the smell of French cuisine. He’s sitting beside her in a booth, turning each time she says something. By the end of the night, Sadie’s sure he’ll have a crick in his neck. What kind of person sits next to their date? she thinks as he rattles off a wine order to the waitress. Her bra, the only push-up she owns, is a size too small and cutting into her ribcage like a tightening rope. Can he tell she keeps rubbing a hand across the band? 

The first time they met, it was easy. They were at a bar, and the expectation was clear from the get-go. This is different, both more formal and less concrete at the same time. They might go back to his place, or they might go separate ways after a dull dinner with no spark. Either way, tonight has options that their first encounter didn’t.

“Hey,” Archer starts, after a solid thirty seconds of her eyes darting around without landing on him, “I know this is way more intense than the first time we hung out.” Hung out, as if they didn’t suck face like teenagers. “I’ll admit, this is kind of my standard date idea. But we can chill it out a little, if you want.”

She nods, the idea of chill sounding awfully appealing. 

“Wanna blow this place and grab a burger or something?”

She nods her head harder this time, chasing the promise of food she can pronounce and music that doesn’t remind her of being on hold with the bank. They sneak into the parking lot like they’re skipping out on a meal, even though they hadn’t actually gotten to ordering food. In his car, he turns the radio to a station affectionately referring to itself as “The Waterin’ Hole,” sending her into a fit of giggles. 

“You listen to this stuff?” Sadie asks after she can breathe again.

He scoffs in mock indignation. “As a matter of fact, I enjoy a little boot scootin’ after a hard day of lawyering.”

“Apparently,” she says, imagining him in a cowboy hat with one of his nice suits. She starts laughing again—back in the restaurant, everything was serious. If that date continued, she’d wind up in his bed, with him looking displeased at the red marks her underwear left across the tops of her thighs. She might sleep with him, but it wouldn’t be great. This date, starting with bad country music in the parking lot, has vastly different possibilities. 


They don’t sleep together. In fact, they spend most of the evening talking, curled up on his fancy lawyer couch with a slow jazz album playing in the background. She tells him everything about herself, other than the details surrounding her writing career. He tells her about law school, then about his siblings and nieces and nephews. Sadie can’t contain the smile that blooms across her face when mentions his sister’s kids call him Uncle Archie. Then there’s a lull, and she thinks he might reach across the couch, drag her into his lap like the end of most of her dates. He doesn’t.

“Look,” Archer starts, face endearingly earnest, “I like you. I don’t want this to be a one time thing, if you don’t.”

“I don’t,” Sadie says. 

“Okay, good. I didn’t want you to think I wasn’t putting the moves on you because I’m not interested.” Archer raises his brows for comical effect. “I just figured it could wait until next time.”

“I like the way you think, Archie.”

He chokes out a laugh, face going burgundy. “Oh god, I am so going to regret telling you that.”

Sadie winks, and the night goes on from there. 


Two days later, Sadie dials Jordan’s number in a panic. The, “I don’t think I can do this,” bursts from her lips as soon as the call goes through. It’s been forty-eight hours, too soon to know if Archer’s the elusive one, but something feels distinctly different compared to the few guys she’s dated in the past. Archer doesn’t make her beg for attention—in fact, her phone’s been buzzing a pleasant rhythm since he dropped her back at her place early Sunday morning. 

“Can’t do what?” Jordan answers. Through the phone, Sadie hears the monotonous typing that her agent claims makes up most of her job. “Can’t write your novel? Hate to break it to you, babe, but you have a contract.”

“I know. I know. But I like this guy.” Sadie pauses, scanning the massive log of texts from Archer on her laptop. Right now, he’s at a company luncheon at some suspect seafood place, complaining to her that there isn’t an ocean around for thousands of miles, so fresh catch of the day might be fraud. “I don’t think I can write about him.”

“Sadie, for fuck’s sake. You don’t think writers use their relationships for fodder?”

“As blatantly as you’re suggesting?”

Jordan sighs and the typing sound stops. “Listen. You self-published your first book on Amazon. How much did you make, exactly?”

“Next to nothing,” Sadie says, feeling the strongest urge to roll her eyes. 

“And then you found me, and I got your next one published with an actual publishing house. How much did you make then?”

She scoffs. “A little more than next to nothing.”

“This time? I got you a deal with Harlequin. You’re gonna make bank, Sadie. But you have to listen to me. That’s why I’m here, remember?”

Sadie’s computer dings, and it’s Archer wondering when they can go out again. tonight? she types before she can think better of it. “Yeah,” she finally answers. “No, I know.” 

“Besides,” Jordan adds, typing again, “It’s not like he won’t be telling his pals about your relationship. Your audience is just bigger. Down the line, he might not even care.”

The call ends and Sadie’s head starts pounding. Probably from staring at a screen all morning, trying to get Scarlett and Benjamin on their first official date. Every piece of writing advice she’s ever gotten has boiled down to write what you know, and what could she know better than her own relationship? Jordan has a point—if he’s around friends, there’s a good chance Archer’s doing the same thing she is, minus the name changing. She downs an aspirin, sits back down at her computer, and soldiers on.

If she squints, she can almost convince herself this isn’t a huge mistake. 


“I have a question for you,” Archer starts, turning on his side to look at her. It’s a lazy Saturday morning a few months after their first date, with sunlight streaming through his curtains and painting the bedroom a pale gold. They have plans to go to brunch later, at their usual cafe, and then Sadie has a meeting with Jordan. “What are you writing right now?”

Her stomach drops. 

“Me?” Sadie asks in an excellent attempt at deflection. “A novel.”

He snorts. “Yeah, but what’s it about?”

The thing about writers is that they’re great on the page. Really, give them a few days (or weeks, or even months) and they can churn out some killer prose. In the moment, it’s different; there isn’t a backspace key for realtime conversations, and usually not enough downtime to stare into space like they’re able to during the writing process. So when Sadie blurts out an overacted, “Not you. Obviously,” she immediately wants to scoop the words back into her mouth and make for the hills. 

Archer stares at her, then smiles a cautious smile. “I wasn’t expecting it to be.” She starts to breathe a sigh of relief that turns to a coughing fit when he adds, “God, can you imagine?”

After the air returns to her lungs, Sadie manages an, “Yeah, who’d do something like that?” 

“Not someone I’d wanna be with, that’s for damn sure.” He snorts. “Hell, there could even be legal ramifications.”

Sadie’s heartbeat revs up to ten-thousand beats per minute. “Really?” she squeaks. 

“Probably not, but it would be an interesting case to try. Doubt something like that would make it to court, though.” He hums and presses a kiss to her forehead. “But seriously, what’s it about? You told me you write romance novels the first time we met, unless that was a line you use on all of the guys in bars.”

Sadie sits up, hoping the change from horizontal to vertical will somehow make her smoother. “I do,” she says, “but you probably wouldn’t find them all that interesting.”

“Why’s that?” he asks, propping himself on an elbow. “I do read for fun, y’know.”

“Why does it matter what it’s about?” Sadie tries, watching Archer’s face very closely. Judging by the way his forehead wrinkles, that wasn’t the best choice. 

Narrowing his eyes, he asks, “Why won’t you just tell me?”

Because I don’t want to get fucking sued. “It just doesn’t seem relevant.”

“Relevant?” he asks, finally sitting up. Then he stands, one hand rubbing absentmindedly across his neck. “We’ve been dating for three months and you still haven’t let me read your novel. Doesn’t that seem a little weird to you?”

“I’m just a private writer!” She pulls the sheet up around her bare shoulders, suddenly feeling more exposed than her tank top warrants. 

Archer opens his mouth, then closes it without comment. He pads out of the bedroom and down the hall and comes back a minute later with his briefcase and a granola bar from the kitchen. Grabbing his glasses case from the bedside table because it’s too early for contacts, he sits back down on the bed and reclines against the headboard. 

“What are you doing?” Sadie asks, irritation creeping into her voice. “We have brunch reservations in an hour.”

“I just figured you’d rather focus on your super secret novel, since you have that meeting with Jordan later today,” he says, flipping his briefcase open. “Besides, I have some work I might as well get a jump on if my girlfriend doesn’t feel like involving me in her life.”

“You are so overreacting,” Sadie says, knowing he’s not. “But fine.” She slides off the bed and picks up the dress she wore yesterday from the floor, alongside her bra and socks. “I’ll text you after my meeting.”

“Sounds good to me.” Archer doesn’t look up from the legal briefs and data scattered across the comforter. “But I understand if you can’t tell me what you two talk about, since it’s not really relevant.”

She changes in his bathroom and walks to her car without so much as a goodbye. It feels something like a walk of shame. 


Sadie apologizes that night with takeout from their favorite Chinese place. She explains that her novel is intensely personal—not a lie—and she needs to focus on getting it done, because Jordan’s been breathing down her back about a deadline for months now. Also not a lie. Archer sighs, drops the tension from his shoulders, and draws her into a hug. They eat lo mein on his couch and watch reruns of The Office and it’s fine. They’re fine. 

Scarlett and Benjamin have a similar fight in chapter twenty-four. That was Jordan’s idea, and so was them making up over Indian food and an episode of Parks and Recreation. When Sadie meets Archer’s parents the next week, Scarlett meets Benjamin’s. Sadie and Archer go away for the weekend to celebrate their six month anniversary, and Benjamin surprises Scarlett with a trip to France for theirs. 

If it feels cheap—which it does—Jordan reminds her that this is what makes books sell. Real, human emotion, with engaging conflict. She throws around words like New York Times and bestseller whenever they meet, and it’s comforting. Archer leaves her novel alone, telling her he’ll wait to read it until it’s finished. 

“Until it’s published,” Sadie corrects, trying to buy herself some more time to figure out how to untangle herself from this twisted storyline.


Jordan drops by Archer’s apartment nearly thirteen months to the day from the night Sadie first met him. They practically live together at this point, the rent on her own place more a nuisance than going towards actually housing her. He’s brought up her not renewing her lease a few times, usually after clearing out yet another drawer for her in the bedroom or leaving her a new box of tampons in the bathroom, next to his hand towels under the sink. Her touches are everywhere, from the plush throw across the couch to the noise machine on their dresser. Jordan notes as much as they meander through the entryway to where Sadie’s final draft lies on the coffee table. 

“Archer’s really into Writer’s Digest,” she says, looking at a stack of past issues on the freshly cleaned glass top. 

“I just brought a few copies from home for inspiration.” Sadie sits on the couch and picks up her manuscript with delicate finger, just barely touching the four corners. This novel, the one she’s been working on for upwards of a year, the one that went through four different love interests before she finally landed on Benjamin, is finally done. Well, nothing written is ever done, exactly, but it’s ready to be sent to Harlequin. She has a giant manila envelope, professional address labels, and a bottle of champagne in the fridge. 

“I just want you to know,” Jordan starts, hand flat against her sternum, “I’m really proud of you. I’ve read drafts from you before, but this one is special.”

The hair on the back of Sadie’s neck bristles. Jordan said that exact same thing, that this one is special, about Archer. She pushes past it, because Jordan has to mean well. 

“Thank you,” Sadie says, unease coiling itself around her gut. “I couldn’t have done it without you.” Without Jordan, there wouldn’t be a relationship or a novel. They’re functionally the same thing. She’s proud, obviously, but she can’t ever let Archer read it. The only semi-plausible way Sadie’s figured out to get out of this mess is to tell him she’s scrapping it and starting over.

She’ll let him read the next one. 

A key in the door makes Sadie sit up straight and ball her fists. Archer isn’t off work until six, but he’s the only one with a key. Maybe he wants to surprise her—he knows Jordan’s here and knows what they’re doing. She relaxes a little, and watches the door open. 

It’s Archer, but he looks anything but happy for her. There are dark circles under his eyes and an anger in the set of his jaw. His mouth is a thin line, a far cry from it’s normal easy smile. He clutches a stack of papers in his fist, knuckles almost white with force. 

“Babe,” Sadie starts, standing up, “what’s wrong?” 

“What the fuck is this?” he asks, throwing the papers into the middle of the living room. He crosses his arms, stands like he must in court. God, his opposition must freeze when he starts in on questioning. 

She leans down to grab one of the papers before the fan swirls them all away. Jordan sucks in a deep breath and mumbled what sounds like an, “Oh my God.”

“Wow, you look like you belong in a movie.”

Scarlett smiles, wrapping a well-manicured hand around his silk tie. “You’re not so bad for a soul-sucking lawyer,” she says easily. 

Her blood runs cold. “How did you—?” Sadie starts, unable to even articulate the rest of a sentence. She feels dizzy, all hot and cold at the same time. Her palms itch, wanting nothing more than to scoop the papers from the floor into her arms and shred them on the spot. “I mean, where did you…” she trails, throat going dry and dusty. 

“Jordan gave it to me.”

“What?” Sadie’s vision goes red. She whips around, a godawful sense of betrayal overtaking the anxiety she felt seconds earlier. “I don’t believe—how could you?”

“Sadie, I didn’t know!” Jordan’s palms go up like she’s surrendering something. 

“Why?” Sadie asks, voice catching in her throat. 

“I asked her for a copy,” Archer starts. She turns, eyes wide when she notices the heartbreaking openness of his face. “Wanted to surprise you, ‘cause I know you thought I didn’t want to read it. But I did, because I—” He swallows, hard. Because he loves her. Archer shifts his overpowering gaze to the ground, forces a harsh breath through his nostrils. “But then I got this.”

“I’m so—I meant to tell you, but I—” Sadie stands there like a child, eyes wide and frame shaking. “I don’t know what to say,” she manages, barely audible over the fan blades whirling above them. Jordan rests a hand on her shoulder that she immediately shakes off. “Don’t touch me!”

“I thought you had told him,” Jordan whispers feverishly. “I didn’t think you were really going to do this without telling him!”

“How could I have told him?” Sadie fires back. It feels so wrong to ignore Archer right now, but there are too many variables right now. She needs to get one of them taken care of. “You’re the one who said it was fine to go on like I was!”

“Was it all a lie?” Archer asks, stiff and quiet. Her eyes snap back to him, softening when he immediately looks away. “Did you even want to go out with me in the first place?”

“Of course I did!” Sadie’s voice comes back just enough so she can get that out. It’s true; she needs him to know that. She remembers the giddiness she felt the whole first month they were dating. How happy she was when they just….kept going out. But underneath all of that is the shame she kept ignoring—Jordan’s voice in her ear, saying he’ll understand when you’re successful or like he’ll ever be able to pick it out of a shelf of other romance novels at Barnes & Noble. All lies.

“How could you not tell me? Or ask if I was okay with this? Fucking hell, Sadie, you wrote about everything!” Archer comes toward her on a surge of hurt and indignation, looking taller than she’s ever remembered. He won’t hurt her, she knows that, but she still wants to run, to hide, to shrink against the wall until there’s nothing but a dent where she she used to stand. “You even wrote our sex life!”

“I mean, it is a romance novel,” Jordan adds, attempt at defusing the tension failing spectacularly. 

“Did you read the whole thing?” Sadie asks, which is so not the point of any of this. “I mean,” she tries again, “that was mostly fictionalized.”

“Mostly,” he spits back. “And for your information, I did read the whole thing. Spent the whole damn day pouring over it in my office. My assistant thought I was going insane.”

Sadie feels the question bubbling inside of her and tries to stifle it, tries to swallow it deep down inside of her so she doesn’t make this monumental mistake, but she’s a writer. Narcissism and the desire she’s had for months to ask win out in the end. “Did you like it?” 

His eyes go wide, face paling at her absolute stupidity. Behind them, Jordan swears. “Did I like it? That’s what you’re wondering? You use our entire relationship to make a buck and you want to know if I liked it?”

That’s when she knows. Tears spring to Sadie’s eyes and she’s mad at herself because this is entirely, completely her fault and now she’s crying about it like a baby. Archer is fuzzy in front of her, but she can still pick out the disgust across his face. She’s spent a year loving that face, learning the intricacies of its emotions. Disgust is a sneer, a raised eyebrow, and dark, piercing eyes. 

“I’m leaving. Going back to the office. When I get back tonight, I want you and your book and everything gone, you hear me?”

“I’m sorry,” she whispers, knowing it won’t make a shred of difference. He turns away, scoffing, and pulls the front door open. Sadie crumples the paper in her hand when the for slams, tears dripping down her face and turning the scattered pages of her manuscripts into miniature Rorschach tests. They inside of her body feels hollowed out, scraped bare by a dull blade. 

“Sadie,” Jordan starts, “I didn’t mean to—I just thought if I didn’t tell you it was okay, you wouldn’t keep writing.” Her voice is frantic, words coming out in a hurried jumble. It’s the most emotion Sadie’s ever witnessed coming from her agent, normally so calm and collected. “Look, I’ll talk to him. I’ll go to his office and work this all out, just please give me the manuscript and let me drop it in the mail on my way.”

Jordan’s voice turns to white noise in the back of Sadie’s mind. It’s a cruel kind of karma, being lied to and manipulated when you’ve done nothing by lie and manipulate the past year. Still, the idea that Jordan was just waiting for her to come to some great moral revelation, all the while telling her it’s no big deal, stings almost as hard as Archer walking out. She went to Jordan before she was in so deep she couldn’t turn back and said she was unsure. Said she had qualms. And what did her esteemed agent offer? It’s fine. You have a contract. 

“…I’m your agent and it’s my job to make sure you don’t fuck us both over and not deliver after I bust my ass to get you the contract of a lifetime!”

“Shut up,” Sadie says, barely listening. “Just shut your mouth.” The stream of justification spilling from Jordan’s mouth stops short. “You really think I can deal with this right now?” 

“You’re right. I’ll just mail your manuscript and give you some time.” She steps back, gives Sadie room to finally exhale. 

“I don’t care. Send it, don’t send it, it doesn’t fucking matter, Jordan.” The tears are gone, replaced by an indifference that borders on anger. She’ll cry later, once her things are boxed up and back in her desolate apartment, when she goes to sleep alone for the first time in a year. Now, she wants to fight but doesn’t have near enough energy. “Just get out.”

“You don’t care if I deliver the novel you’ve poured blood, sweat, and tears into?”

“Right now I wouldn’t care if you burned the damn thing, but you’ve made it perfectly clear to me that I have a contact, so do whatever the hell you need to do to save your job. God knows that’s what you’ve been peddling to me for months.”

“Sadie, I—”

“Get out, Jordan.”

“Yeah, okay,” Jordan says, collecting her things. She slips the manuscript into an envelope and picks her purse off of the ground. As she pulls the door open, she turns and offers the least convincing smile Sadie’s ever seen. “I’ll let you know when I hear from Harlequin.”

Sadie doesn’t answer. When the door shuts, she doesn’t look up. Instead, she picks up the scattered pages of a heartbreak littered across Archer’s dark hardwoods and carries them pressed against her chest like an infant to his office. They go straight into the shredder. 


Should've Been a Cowboy

words: 4,234

I never wanted to be a schoolteacher, but math was the only thing I was ever any good at. If I’d had it my way, I’d have been in the rodeo, Daddy’s hat on my head, his old saddle on my very own horse. She would have been big and brown, with curly lashes and a mane darker than my own. We’d have made history and headlines all through Lubbock county, winning ribbon after ribbon. My sprawling ranch home would have had trophy cases in every room with framed newspapers on the walls. “Priscilla Richards Sets Another Record,” they might have read. But that wasn’t going to happen. If my mother had her way, I was going to spend my weekends marking up math tests instead of curling and clipping around that clover pattern. By the time I was in high school, I had never even been on a horse, but I could damn sure do arithmetic. 

Daddy took my older sister, Noreen, and I to the rodeo in Lubbock proper for my fifth birthday, but I think he regretted it as soon as he saw my face. My eyes were glued to the riders, tracking their every move with more attention than I’d ever offered anything in my life. Noreen and I hooted and hollered our voices hoarse, but Daddy didn’t even clap. After we piled into the cab of his truck, I rambled on and on about everything I’d seen—the pretty horses, the shiny trophies, and an excitement I’d never seen before. Noreen moved on before we got back up the driveway, asking me what color dresses her paper dolls would like best. We agreed on pink, but I added that she should cut out a cowboy hat from our grocery sacks. 

“Cilla,” Daddy said, helping me out of the car, “don’t you go gettin’ attached to the rodeo, you hear me?”

“Yessir,” I answered, not dwelling on it because I knew there was a cake with my name on it in the kitchen. He mussed my hair, swatted my shoulder, and sent me inside, where Mother had me do my homework at the dining room table. Even on my birthday, there was studying to be done, because, as Mother always said, “Education takes no breaks.” Noreen and I always did our work side by side, but by the time I was ten, I was helping her with her long division. 

“Priscilla Mae,” Mother said one afternoon, nodding that way all mothers do when they’re suddenly seeing your life play out even though you don’t have any clue what’s going to happen, “you’re going to make an excellent teacher one of these days.”

I screwed up my face the way Noreen taught me and scoffed. “I don’t think so,” I said. “I want to be a cowboy, like Daddy.”

“Daddy’s a farmer, Prissy.” Noreen’s nickname for me was born from her two year old moth not being able to make the complicated sounds in my name, but it stuck well beyond then.

“Noreen Anne, Priscilla Mae, stop baiting each other and finish your homework,” Mother said, not looking up from her lesson plans. She was a teacher herself, training kindergarten monsters to start holding pencils and crayons instead of drooling on each other. Her patience had been worn like the soles of Daddy’s boots after a long summer season, so Noreen and I tried not to take her sternness too personal. 

“Yes ma’am,” we replied in unison. I didn’t bring up my disdain for teaching until midway through high school, but still watched every rodeo I could sneak away to. I didn’t dare tell Mother and Daddy, not after I found out about Jack. But then I met Dean Montgomery and it became unavoidable.


Dean Montgomery was the best bareback bronc rider on the whole Caprock, or so his mama told anyone and everyone she met at the grocery store. Mother got caught between the canned goods and Mrs. Montgomery one morning and came home with the dirt on the Amarillo-born rodeo star instead of pinto beans. His claim to fame was a 94 point ride—a real feat when the average rider was lucky to break 80. Mrs. Montgomery glowed brighter than a bug zapper in June whenever she brought it up in conversation. 

For his part, Dean wasn’t so boastful. “It’s stubbornness more than anything else,” I heard him say outside of the local Dairy Queen. “You just gotta want to stay on that horse more than it wants you in the dirt.” He certainly looked the part, though. I swear, two of the local boys could stand shoulder to shoulder behind him without being seen. His biceps strained against the cream button down pushed up to his elbows like the cover of one of those romances Mother wouldn’t allow in the house. My cheeks steamed in the cold night air when he waved at me, even as I tugged my sweater closer. 

Noreen saw right through my insistence that I hadn’t even noticed him. She had to drag me back to the house, going on and on about how Daddy wasn’t going to like this, no, not at all.

“Please don’t tell,” I said. “I won’t go inside until you promise.” I was shaking in my saddle shoes, but this had to stay between us. 

She rolled her eyes, then yanked me into the house by the back of my wool dress. “You’re ridiculous, you know that?”

“Thank you.”

I thought I was in the clear until Dean showed up on the farm the next week, cowboy hat casting a shadow across his face as he leaned up against the barn. I stopped dead in my tracks, calculus book slipping out of my fingers and hitting the earth with a deafening thud. Dean looked up, right at me, and nodded. “How you doin’, Priscilla?”

“Does my daddy know you’re here?” I asked, only dimly aware of the conversation we’d had at dinner a few nights ago. Mother and Daddy crunched numbers over casserole and decided they needed an extra set of hands now that their usual farmhand was at the Agricultural and Mechanical College, way out east. 

“Why else would I be here?”

“I guess it isn’t rodeo season,” I said, knowing full well it started in the spring. Still, I couldn’t help twisting my fingers together in the front of my dress.

“Starts again in March, but 4-H won’t put gas in my truck,” Dean replied, pushing off the wall with his foot. He sauntered towards me like he’d been riding all day, but I’d paid enough attention to him to recognize that was just how he did everything. 

“It was nice seeing you,” I said, turning on my heels for the house. 

“Wait,” he drawled, sending my heart into my throat. When I turned back, he was kneeling in the dirt, holding my calculus book in his catcher’s mitt of a hand. “Wouldn’t want you missin’ out on all that math you like.” 

I grabbed the book and said, without thinking, “Math won’t get me where I wanna go.”

“Where’s that?” he asked, brow quirked. 

“In the papers.”

Even though I scooted back to the house fast as my legs could take me, I didn’t miss his distinct huh followed by a, “Who’d have thought?”


I saw Dean again the next afternoon, sitting on the back porch with one of Mother’s nice glasses beside him, filled to the brim with lemonade. She only brought out the good stuff for company. I sat in one of the twin rockers to his left and watched him wipe the sweat from his brow, blow out a long breath, then lean back on his elbows, never once touching the glass. 

“Mind if I take that drink off of your hands?” I asked, willing my voice to sound as effortless as Noreen’s always did when she talked to boys. It came out more a squeak than the purr she’d perfected, and I immediately wanted to swallow the words back into my throat and leave them there to die. Maybe move to New Mexico, too. 

“As long as you gimme some company,” Dean answered, patting the porch. He must have caught my eyes darting back and forth, because not thirty seconds later, he added, “Who else’d I be talkin’ to?”

So I sat next to him, eyes glued to the barn on the horizon. I focused on breathing, not letting myself think about Dean’s shoulder nearly touching mine, for fear of asphyxiation. Instead, I tapped my fingers and foot in conjunction, to the rhythm of that Buddy Holly song that had taken over the radio in the months since his death. Eventually, I grabbed the lemonade between us and took a careful sip, remembering Mother’s rules about drinking like a lady. I took another, and another, until half the glass was gone and I didn’t know what else to do. 

“You ever rode a horse?” Dean asked after what must have been five minutes of nothing. 

I took a gulp. “Sure have,” I said, not wanting him to know Daddy never let me.

“And you really wanna make headlines?”

“Of course,” I answered earnestly. 

He paused for a second, then asked, “You feel up to a contest?”

I shook the ice left in the glass, watching it stick to itself over and over again. “What am I qualified to compete in?”

“Amateur rodeo. Three weeks from today, in Lamesa. I can teach you, if you’re willin’ to let me enter you.”

In an instant, I saw my future: the trophies on my coffee table, ribbons in volumes of scrapbooks, and newspaper clippings singing my praises. Mother and Daddy in the front row of stands, cheering loud as they were able to. My math books on a shelf somewhere, beside old high school yearbooks and encyclopedias. “You have yourself a deal, Mr. Montgomery.”

He laughed and stuck his hand out. As we shook, he said, “Just call me Dean.”


Two days later, I stood in the barn in Mother’s cowboy boots—stolen from the back of her closet, shoved behind her cedar chest—and the only pair of jeans I owned. I didn’t have a button down like I’d seen other riders wear, so the one blouse ratty enough to not make it into the church rotation had to do. Dean smiled when he saw me. 

“You look good, Priscilla,” he said, looking me up and down like I’d already had a blue ribbon pinned to my shirt. “Like a real cowboy.”

“It’s in my DNA,” I replied, trying desperately to recall a relative who’d done anything related to the rodeo. A great uncle, I thought. Maybe. 

Dean led me to the horse stall, where our newest mare stood tall and proud. Tilly, as Daddy took to calling her, shone like the night sky sponged clear of stars. Her salt-and-pepper mane, recently brushed, made her look wise beyond her four years. She was already saddled, head bent down in an elegant slope toward her trough full of oats and hay. I stepped close, easing one hand with outstretched fingers against the expanse of her neck. 

A tremulous neigh punctuated her whole body as Tilly took a great step back, almost crushing my foot. I was frozen, watching this enormous animal have a panic attack because I was stupid enough to bother her during feed time. Dean yanked me backwards, nearly pulling my arm out the socket. 

“Okay, step one would be movin’ out the way when she gets agitated,” he said, barely louder than the blood rushing in my ears.

“Of course,” I replied automatically. I nodded, mostly in effort to shake my heart out of my throat. “Noted.”

“You wanna get on?” Dean asked, raising an eyebrow as if to say I know you’ve never done this before, geek

“Obviously.”

“Need help?” he asked, flippant. 

Of course I needed help. At five foot four, I couldn’t even fathom hiking myself up on top of Tilly on my own. “No, of course I don’t.”

Dean scoffed. “Okay, Priscilla.” He stood back, arms crossed across his broad chest in a challenge. 

I took a deep breath and set my sights on that saddle. In the back of my mind, I saw the hundreds of times Daddy’d mounted different horses. Left foot in the stirrup, hands on the reins, pull yourself up, swing your right leg around. Easy. Except the spooking that happened two minutes prior was stuck in my head, screwing with my sense of left and right. Foot in stirrup. Easy. Pulled myself up, swung a leg around. Easy. Forgot to grab the reins altogether.Wound up backwards, staring at Tilly’s tail. 

“Dammit!” I cried, kicking my legs out. When they came back and hit Tilly in the sides, all hell broke loose. 

“You need to calm her down,” Dean said, voice low and frantic. He took a step towards us, hands outstretched to grab the reins.

“I got it!” 

But, goddamn, I did not have it. Instead of relaxing, Tilly started bucking, her back forcing itself into a gruesome u shape with each convulsion. I’d never seen Daddy deal with this before, so my heart fell into a sprint, looking for any way out of the danger I’d created. Preferably straight through my ribcage. The next time Tilly bucked, the reins slipped from my nervous hands. I was surfing, arms wobbling in a pathetic outreach for anything to steady myself. I could nearly reach Dean, but then—

“Jesus, I knew you were lyin’!”


When I opened my eyes, I was flat on my back, a sharp throb between my vertebrae. My vision was fuzzier than it’d ever been; I turned my head right and left looking for Dean or Tilly only to find my Mother sitting at what had to be the foot of my bed. I heard my name inside of a strangled sob, and before I could figure out what’d happened, she had my aching body wrapped in the tightest hug I’d ever received. 

“Where’s Dean?” I asked, voice like a pack-a-day smoker. 

“We were so worried,” Mother said, ignoring my question entirely. “Noreen ran in the house yelling about you falling off of Tilly, but you weren’t moving when we got to you.”

“Did he leave?” 

“Your father’s talking to him,” she said, smoothing my hair where it had stuck to my damp forehead. “Chewing him out, more like. How he got you on that horse, I have no idea.” I tried propping myself up on my elbows, but the effort was more than my back could handle. Before I could get a word in, Mother was easing me back down. “You relax and I’ll be back when the doctor gets here.”

She walked away, pausing in the doorway to smile back at me. In a rush of guilt, I said, “It wasn’t his fault. We had a deal.” 

In an instant, the warmth melted from her face, replaced by something between shock and hurt. “What?” I was a four year old again, trying to work myself between my sheets to hide. The shock and hurt were quickly adapting themselves into anger, plain and simple. “Priscilla Anne Richards, you did not disobey your father and I, did you?” Her question was a challenge hanging in the air, daring me to answer, to cement myself as a disappointment. 

Temples starting to throb, I replied, “Yes, but it wasn’t a—”

“You know why we don’t allow you or Noreen on horseback. You know.” 

“I just wanted—”

Mother slammed the flat of her palm again my doorframe with more force than I thought she possessed. “You just wanted your moment in the spotlight. Chrissakes, that’s all you’ve ever wanted. Teaching isn’t enough—you want something flashier, even if you get yourself killed in the process!”

Shame and indignation welled in my eyed. Mother opened her mouth like she wanted to deliver one final blow, then abruptly shut it and left without another word. I felt hot all over, wanting nothing more than to melt into my mattress and never have to look at either one of my parents ever again. They had their reasons, I knew. But I thought enough time had passed. It wasn’t like they talked about Jack regularly. 

Noreen chose that moment to saunter in, looking madder than I thought she had a right to be. “Why is Mother crying in the kitchen?” she asked, glaring at me. 

“I’m okay, by the way,” I said, trying to coax some sympathy from her unrelenting gaze. 

She marched to my bedside without giving my attempt a second glance. “What the hell is your problem?”

My eyes went wide. “My problem? Daddy’s out there yelling at Dean because he and Mother can’t get over something that happened fifteen years ago!” I splayed my fingers open again my quilt as punctuation. “Dean was doing me a favor.”

Noreen scoffed. “He just wants the money!”

“What money?”

She started pacing, walking a methodical line from my bed to the window, staring at her path along the ground the whole time. “The minute I saw you fawning over him, I did some digging. Did he tell you about the prize?”

I shook my head. “I assumed it was a ribbon. Maybe a trophy.”

“Try a hundred and fifty dollars.”

Something hot and ugly worked its way under my collar. It crawled across my sternum, taking root in the hollow of my throat, where it stung, hard. “You’re lying,” I spat, feeling that ugly thing dig a little deeper. “You and Mother both just want to keep me here, turning me into a farmer’s wife with nothing of my own!”

She rolled her eyes, face going an angry shade of scarlet. “You don’t remember Jack, but I do. You don’t remember how his death affected Mother and Daddy, but I do.”

I shot up, ignoring the screaming in my back. “What is so wrong with wanting more than this life for myself? What’s wrong with wanting a little recognition?”

“Priscilla,” Noreen started, clenching and unclenching her fists, “you could easily get recognition, just not with horses or whatever else you’ve hitched your wagon to.” She sat her hands on her hips, looking an awful lot like Daddy about to discipline one of us. “You’re good—no, you’re great at math.

“But instead you want to throw all of that away for something dangerous, that you aren’t any good at, that you know Mother and Daddy hurt thinking about.”

I didn’t want to back down, even though, in the back of my mind, I knew I was pushing too hard. “Why can’t I just live my life without having to worry about some dead brother I don’t remember?” 

Noreen’s mouth dropped open. She took a long, shaky breath, then stared me right in the eyes. “You’re upset and hurt and I get that, but did you know Daddy almost sold the farm after Jack died? Did you know Mother wouldn’t let you out of her sight until you started kindergarten?”

I didn’t answer. I couldn’t answer. I was two when Jack died, but Noreen was four and a half. Noreen had whispered enough to me when Mother and Daddy drove out to the cemetery each year for me to get a general idea: Jack’s seven year old strength wasn’t enough to stay on Chester, the salt-and-pepper mare that Daddy thought was broken enough.   

“You think about that the next time you decide to stick your nose up at teaching in favor of the thing that stole our brother from us, Prissy.” Noreen left without another word, slamming my door shut behind her. 


Dean came to visit a day later, hat in his hands, something unreadable in his eyes. It was a miracle Daddy let him in the house, but somehow he wound up sitting on the couch while I sat in Mother’s rocker. He opened his mouth a few times, not ever saying anything, before I decided to take the lead. 

“Noreen told me about the prize money,” I said, deciding it best to get to the point. 

“I was gonna share it with you,” he answered, looking past me out the window. I had a sneaking suspicion Mrs. Montgomery was the reason he was here, looking like he’d rather be anywhere else. 

“Doesn’t matter now.”

He twiddled his thumbs and nodded, mostly to himself. When Daddy came back in the room and told him he’d better get going and let me rest, Dean looked relieved. Before he left the room, he offered a half hearted, “I’m sorry, Priscilla.”

“Like I said earlier,” I started, “it doesn’t matter.” 

Watching him walk away, I decided it really didn’t. Dean Montgomery was not going to be my undoing—he was just a cute boy I thought I could weasel some notoriety out of. Daddy smiled at me as he led Dean outside and I almost let myself smile back. 


Mother drove me to school the next Monday, after the doctor said if was safe for me to get back on my feet. We rode in near-silence, the only sounds in the cab of Daddy’s pickup being the engine huffing and a static-filled rendition of “Blue Suede Shoes.” I was used to not speaking at this point—Mother and I hadn’t said more than a few words to each other since our fight in my bedroom. I knew she was hurting, 

We pulled up to the curb of Frenship High School and, instead of just dropping me off and driving away, Mother turned off the car. The key jangled in the empty air. I didn’t know what to say, or if I should say anything. After a long minute, I opened my mouth, maybe to apologize, but she beat me to the punch. 

“Priscilla Mae, I’m sorry.” 

All the air went out of my lungs in a confused whoosh. You’re sorry?”

“You’ve always been different than your sister,” Mother said. “I should’ve known you wouldn’t want to teach.”

“Mother, I appreciate that, but I should really be the one—”

She cut me off with a sad smile. “Maybe if we’d talked to you about Jack more, if we’d given you options other than teaching, we could have avoided that nastiness last week.”

“Other options?” I asked, curiosity getting the best of me. 

“You’re gifted, sweetheart. You could be a physicist, or an engineer, or anything you want, if teaching really isn’t for you.” She reached across the seat to squeeze my shoulder. “I want you to appreciate teaching, because God knows it’s been good to you, but if fame is what you’re after, you can chase it without putting your life at risk.”

Something wasn’t sitting right. “I don’t deserve this. I was cruel—you should still be furious. I haven’t even apologized, and you’re…letting me off the hook?”

“I’ve been speaking to Noreen. She knows you were hurt and embarrassed and—” she nodded, knowingly, “—a little infatuated with that Montgomery boy. Besides, I’m your mother. Forgiveness is what I do.” 

I suddenly saw my mother in a different light. I saw her cradling her first born, willing the strength of her love to put the breath back into his lungs. I saw her standing rigid in a black dress, stark against the open Texas plain, clutching my father’s hand and having to make her peace with coming home to a fraction of her family. Then, having to live at the scene of the crime and watch her youngest daughter reenact it. 

Tears sprung in my eyes, but I didn’t know how to apologize for sixteen years of unintentional heartbreak. Instead, I leaned across the seat and wrapped my arms around my mother, leaving a damp spot on her sweater where I rested my forehead against her shoulder. She sighed into my hair and stroked small circles on my back. “It’s alright, sweetheart,” she said, emotion clawing its way through her calm facade. 

I heard the bell ring from inside, officially making me late. Sniffling like a lost calf, I pulled away and rubbed the sorrow from my eyes. Mother smiled, hope and apology bleeding out of the corners. “What’s that for?” I asked, still not seeing a light at the end of our collective tunnel. 

“I want you to know that your father and I have been saving. It’s not much, but if you wanted to stay in Lubbock and go to college, we can make that happen.” She nodded, not quite meeting my eyes. “I hear they have a great Mathematics program.”

Just like that, missing homeroom was the farthest thing from my mind. “You mean Texas Technical College?” 

“If you’re interested,” she answered. “I know it’s still two years off, but it doesn’t hurt to think about it.” 

I’d always seen Noreen and I going to college together, probably at Texas Women’s all the way in Denton. Though our fight had been intense, we were getting better. Each morning at breakfast, it seemed like another inch of lost ground had been recovered. The plan was safe. I’d never considered staying in Lubbock. “They don’t have an education major,” I said, thinking about my sister. 

“That’s just fine,” Mother said. “You’re not going to be a schoolteacher.”